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mpass of its five acts she runs the wild and weary gamut from crowned love to crowned despair. It is a new interpretation, and a remarkable one--an interpretation that is tinged with the blight of our inquisitive and mournful age: self-consciousness, that terrible tormentor in her soul, sits for ever in judgment upon every impulse of the heart of Adrienne, and makes of pain a stinging poison, and of pleasure but a poor potentiality. Her death-scene is singular and awful--awful in its physical adherence to realism, and singular in that it does not disgust, or even horrify, but leaves a memory of peace with the listener, who has not failed to catch the last strain for sight of the divine and dying eyes." So the critic of the London oracle wrote of Hyacinthe King. That night the people had crowned her with a wreath of gold laurel-leaves, and she was walking to her dressing-room, when, as she passed the green-room door, a merry laugh made her glance in. There were fifty people there--actors, journalists, swells and hangers-on of the playhouse. A little to the right of the group, and talking and laughing with two or three others, stood a man both young and handsome. Hyacinthe went toward him, and the people, unused to seeing her there for a long time past, hushed their talk, and one of them marked the newness of the light that shone in her eyes and the happiness that smiled on her lips as she came. He was a poet, and he went home and made verses on her: he had never thought of such a thing before. She raised the wreath of laurel from her brows and lifted it up to the golden head of the man whose laugh she had caught. "My Saxon god!" she murmured, so low that none heard her save him, and then, leaving the crown on his head, she turned and walked away. She went home to the shabby house in Craven street, which was still her home, and before she slept she whispered to Miss Juliet, "I have found him." In less than twenty-four hours the scene enacted in the green-room of the theatre had been reported everywhere--first in the clubs, then in all the salons--not last in the pretty boudoir of Lady Florence Ffolliott. Every night thereafter Hyacinthe saw her hero sitting in his stall: he never missed once, but generally came in well on toward the end of the performance. At the close of a fortnight, as she was making her way to her room after the curtain had come down for the last time, she met him face to face: he had planned
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