o power over these things, and the two turned their
faces back toward the small house in Craven street.
On Friday they sought out a celebrated musician, but the long, supple
hands--veritable "piano-hands" he noted from the first--availed the
girl in no way here. The maestro said she "might spend years in study,
but the soul was not attuned to it."
When Saturday came they went to a famous teacher for the voice. But,
alas! Hyacinthe, he said frankly, had "no divine possibilities shrined
in her mellow tones." Perhaps she was a little, just a little,
disheartened on Saturday night. If so, none knew it.
On Sunday the old ladies took her to St. Martin-le-Grand's church, but
all she said over the early cold dinner was, "Women cannot preach in
the churches. I could not find him there."
And Miss King said grace after that meat in a loud and aggressive
voice, but Miss Juliet whispered a soft and sweet "Amen."
On Monday morning Hyacinthe slipped from the house unseen. There was
a vein of subtlety and finesse in her that came to the surface on
occasion: it had been in Haidee Amic and in her ancestors. She
repaired to a _maitre de ballet_, an old man who lived in an old house
in the East End.
"Can you learn to dance, mademoiselle--learn to dance 'superbly'?"
repeated the danseur after his applicant. "Well, I should say no, most
decidedly--never. You have not a particle of _chic_, coquetry: you
were made for tragedy, mademoiselle, and not for the airy, indefinable
graces of my art. You should devote yourself to the drama."
Hyacinthe looked up, and the old Italian repeated his assertion,
adding a recommendation to seek an interview with Mr. Arbuthnot,
the proprietor and manager of one of the principal theatres. Before
Hyacinthe returned to the little domicile in Craven street she had
been enrolled as a member of the company of this temple of the
dramatic art.
Arbuthnot was speculative, and withal lucky: he had never brought out
even a "successful failure," and a something in this odd young woman's
beauty, earnestness, frankness, pleased him. He gave her the "balcony
scene," of course, to read to him; noted her poses, which were
singularly felicitous; knew at once that she was not cast for the
lovesick Veronese maiden; was surprised to discover that she was quite
willing to follow his advice--to begin in small parts and work her way
up if possible. The shrewd London manager foresaw triumphs ahead
when the insignifican
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