ay _Jesse Rural_.

It is a very dangerous thing for a literary man to indulge his love for
the ridiculous. People laugh _with_ him just long as he amuses them; but
if he attempts to be serious, they must still have their laugh, and so
they laugh _at_ him. There is in addition, however, a deeper reason for
this than would at first appear. Do you know that you feel a little
superior to every man who makes you laugh, whether by making faces or
verses? Are you aware that you have a pleasant sense of patronizing him,
when you condescend so far as to let him turn somersets, literal or
literary, for your royal delight? Now if a man can only be allowed to
stand on a dais, or raised platform, and look down on his neighbor
who is exerting his talent for him, oh, it is all right!--first-rate
performance!--and all the rest of the fine phrases. But if all at once
the performer asks the gentleman to come upon the floor, and, stepping
upon the platform, begins to talk down at him,--ah, that wasn't in the
programme!

I have never forgotten what happened when Sydney Smith--who, as
everybody knows, was an exceedingly sensible man, and a gentleman, every
inch of him--ventured to preach a sermon on the Duties of Royalty. The
"Quarterly," "so savage and tartarly," came down upon him in the most
contemptuous style, as "a joker of jokes," a "diner-out of the first
water," in one of his own phrases; sneering at him, insulting him, as
nothing but a toady of a court, sneaking behind the anonymous, would
ever have been mean enough to do to a man of his position and genius, or
to any decent person even. If I were giving advice to a young fellow of
talent, with two or three facets to his mind, I would tell him by all
means to keep his wit in the background until after he had made a
reputation by his more solid qualities. And so to an actor: _Hamlet_
first, and _Bob Logic_ afterwards, if you like; but don't think, as they
say poor Liston used to, that people will be ready to allow that you can
do anything great with _Macbeth's_ dagger after flourishing about with
_Paul Pry's_ umbrella. Do you know, too, that the majority of men look
upon all who challenge their attention,--for a while, at least,--as
beggars, and nuisances? They always try to get off as cheaply as they
can; and the cheapest of all things they can give a literary man--pardon
the forlorn pleasantry!--is the _funny_-bone. That is all very well so
far as it goes, but satisfies no man, a