FREE BOOKS

Author's List




PREV.   NEXT  
|<   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34  
35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   >>   >|  
lla called the opisthodomus or back temple. The front columns at either end are spanned by horizontal beams that uphold a sloping gable called a pediment, the flat, three-cornered surface of which is generally adorned with sculpture in bas-relief, and along the side-columns is placed what is known as the entablature, that consists of three parts, the architrave resting on the capitals of the columns, the frieze above it and the cornice, the last of which sustains the flat roof, usually covered with tiles or marble copies of tiles. [Illustration: The Parthenon] Greek architecture is generally divided into three groups or orders: the Doric, Ionic, and Corinthian, each of which, though the buildings belonging to them resemble each other in general plan, is distinguished by certain peculiarities of the columns and entablatures. The Doric was the earliest to be employed, but the Ionic, that early succeeded it, was long used simultaneously with it, sometimes even in the same building, whilst the Corinthian did not come into use until considerably later. [Illustration: Metope from the Parthenon] In the Doric order the column has no separate base, but rises direct from the top step of the platform on which the building it belongs to stands. It is of massive form and has what is known as an entasis or slightly convex surface, it is generally fluted, that is to say, cut into parallel perpendicular channels, several rings called annulets connecting it with the capital, which consists of an echinus or rounded moulding and an abacus or unrounded slab resting on the echinus. The Doric entablature is equally simple, the architrave being perfectly plain, whilst the frieze is adorned with triglyphs or three upright projections with grooves between them, set at equal distances from each other, the spaces separating them, known as metopes, being as a rule enriched with fine sculptures of figure subjects. The frieze is connected with the cornice by narrow bands called mutules resting on the triglyphs and metopes, and the cornice itself has a plain lower band known as the corona, surmounted by more or less decorated courses of stone or marble. [Illustration: Portion of Frieze of Parthenon] [Illustration: Portion of Frieze of Parthenon] [Illustration: Ionic Capital] The Ionic and Corinthian orders are alike characterised by lightness and grace rather than massiveness and simplicity. In both, the columns, instead of rising d
PREV.   NEXT  
|<   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34  
35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   >>   >|  



Top keywords:

columns

 
Illustration
 

Parthenon

 
called
 

cornice

 

generally

 

resting

 

Corinthian

 

frieze

 

echinus


marble

 

building

 
triglyphs
 

metopes

 

architrave

 

orders

 
whilst
 

Frieze

 
adorned
 

Portion


consists
 

surface

 

entablature

 

rounded

 

simplicity

 

capital

 

unrounded

 

simple

 

perfectly

 

equally


moulding

 

abacus

 

massiveness

 
convex
 
fluted
 

slightly

 

entasis

 
massive
 

rising

 

annulets


channels

 

parallel

 

perpendicular

 

connecting

 

grooves

 
subjects
 

decorated

 
figure
 

sculptures

 

connected