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e later supplemented by the external buttresses known as flying, that were to be so distinctive a feature of Gothic architecture. [Illustration: Ribbed Vaulting] [Illustration: Ribbed Vaulting] Other characteristics of Romanesque architecture are the slenderness of the columns as compared with those of earlier buildings, the disuse of classic capitals, and the substitution for them of what is known as the basket form, that is to say, semicircular mouldings enclosing floral designs, later replaced by a great variety of forms, such as flowers, leaves, human and animals' heads. The grouping of columns in clusters also came into use, the general tendency being towards the production of an effect of grace and lightness rather than of strength and solidity. Arched cornices were introduced to relieve the monotony of the walls above the pillars of the nave, whilst an even more marked change took place in the windows, which, though small and few in early Renaissance buildings, gradually increased in number, in size, and in the beauty of their tracery. At the eastern end of churches several windows were in some cases grouped together, divided only by slender pilasters, and above the western entrance large circular windows known as the rose or wheel--according to certain peculiarities of their tracery--were introduced, whilst the walls were pierced by rows of complex windows, each with a number of different lights. In Romanesque churches the beautiful colonnaded narthex of the early Christian basilica is replaced in Northern and occasionally in Southern Italy by a projecting, and elsewhere by a simple, porch; but to make up for the loss of what was a very effective feature, the whole of the western facade, including the recessed doorway giving access to the nave, is generally most richly decorated with sculpture and carving, figures in niches, grotesque animal forms of symbolic meaning, with floral and geometrical designs of great variety and beauty adorning every portion. [Illustration: Clustered Column] [Illustration: Buttress] [Illustration: Buttress] On either side of the west front of many Romanesque buildings, more rarely also from the point of junction of the transepts and nave, rise lofty square or octagonal towers, the earlier with flat, the later with more or less steeply pitched roofs, that gradually developed into the tapering spires so characteristic of the Gothic style. Occasionally the eastern apse
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