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gut strings plucked by the fingers. (K. S.) [1] See Bergk's _Poetae Lyrici Graeci_ (4th ed., 1882), p. 291, _fr._ 143 [113]; and p. 311, 23 [1], 3; and 14 [9], 34, p. 306. [2] _Polit._ viii. (v.), 6, ed. Susemihl-Hicks (1894), pp. 604 (= 1341a 40) and 632; Daremberg and Saglio, _Dict. d'ant. gr. et rom._, article "Lyre," p. 1450, for a few more references to the classics. [3] Johnson's Persian-Arabic-English dictionary: _barbat_, a harp or lute, _barbatzan_, player upon lute, pl._bar[=a]bit_; G. W. Freytag, _Lexicon Arabico-Latinum_, i. p. 102; _barbat_ (Persian and Arabic), barbitus, genus testudinis, plerumque sex septamve chordis instructum (rotundam habet formam in Africa); _Lexicon Aegidii Forcellini_ (Prato, 1858; "Barbito aurataque chely ac doctis fidibus personare" (Martianus Capella i. 36); G. B. Doni, _Lyra Barberina_, ii. index. [4] _Enumeration of Arab Musical Instruments_, xiv. c. [5] (a) See C. Clarac, _Musee du Louvre_, vol. i. pl. 202, No. 261. (b) Accompanying illustration. See also Kathleen Schlesinger, "Orchestral Instruments", part ii., "Precursors of the Violin Family," fig. 108 and p. 23, pp. 106-107, fig. 144 and appendix. (c) Sarcophagus in the cathedral of Girgenti in Sicily, illustrated by Carl Engel, _Early History of the Violin Family_, p. 112. A cast is preserved in the sepulchral basement at the British Museum. Domenico, _Lo Faso Pietra-Santa, le antichita della Sicilia_ (Palermo, 1834), vol. 3, pl. 45 (2), text p. 89. (d) C. Zoega, _Antike Basreliefe von Rom_ (Giessen, 1812), atlas, pl. 98, sarcophagus representing a scene in the story of Hippolytus and Phaedra. [6] In Jacob Locher's _Navis Stultifera_ (Basil, 1506), titulus 7, is an illustration of a small harp and lute with the legend _nec cytharum tangit nec barbiton_. [7] _Historia Utriusque Cosmi_ (Oppenheim, 1617), tom. i. tract ii. part ii. lib. iv. cap. i. p. 226. [8] _Lyra Barberina_, vol. ii. index, and also vol. i. p. 29. [9] "La Musique des anciens," _Oeuvres completes_ (ed. Amsterdam, 1727), tom. i. p. 306. [10] _De Vita propria sermonum inter liberos libri duo_ (Haarlem, 1817). See also Edmund van der Straeten, _La Musique aux Pays-Bas_, vol. ii. p. 349. [11] See _The Seven Seas_, a dictionary and grammar of the Persian language, by Ghazi ud-din Haidar, king of Oudh, in seven parts (Lucknow, 1822) (only the title of the book is in English). A review of this book in German with copious quotations by
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