her matter, but depends on that which is furnished either by
formless nature or unnatural art, she will in both cases bear traces of
her origin, and lose herself in one place in material life and in another
in mere abstract form.

To be able to arrive at a conception how beauty can become a means to
remove this twofold relaxation, we must explore its source in the human
mind. Accordingly, make up your mind to dwell a little longer in the
region of speculation, in order then to leave it forever, and to advance
with securer footing on the ground of experience.

LETTER XVIII.

By beauty the sensuous man is led to form and to thought; by beauty the
spiritual man is brought back to matter and restored to the world of
sense.

From this statement it would appear to follow that between matter and
form, between passivity and activity, there must be a middle state, and
that beauty plants us in this state. It actually happens that the
greater part of mankind really form this conception of beauty as soon as
they begin to reflect on its operations, and all experience seems to
point to this conclusion. But, on the other hand, nothing is more
unwarrantable and contradictory than such a conception, because the
aversion of matter and form, the passive and the active, feeling and
thought, is eternal, and cannot be mediated in any way. How can we
remove this contradiction? Beauty weds the two opposed conditions of
feeling and thinking, and yet there is absolutely no medium between them.
The former is immediately certain through experience, the other through
the reason.

This is the point to which the whole question of beauty leads, and if we
succeed in settling this point in a satisfactory way, we have at length
found the clue that will conduct us through the whole labyrinth of
aesthetics.

But this requires two very different operations, which must necessarily
support each other in this inquiry. Beauty, it is said, weds two
conditions with one another which are opposite to each other, and can
never be one. We must start from this opposition; we must grasp and
recognize them in their entire purity and strictness, so that both
conditions are separated in the most definite manner; otherwise we mix,
but we do not unite them. Secondly, it is usual to say, beauty unites
those two opposed conditions, and therefore removes the opposition. But
because both conditions remain eternally opposed to one another, they
cannot be united