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The Project Gutenberg EBook of The Aesthetical Essays, by Frederich Schiller This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Aesthetical Essays Author: Frederich Schiller Release Date: October 26, 2006 [EBook #6798] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE AESTHETICAL ESSAYS *** Produced by Tapio Riikonen and David Widger AESTHETICAL AND PHILOSOPHICAL ESSAYS by Frederick Schiller CONTENTS INTRODUCTION VOCABULARY OF TERMINOLOGY LETTERS ON THE AESTHETICAL EDUCATION OF MAN AESTHETICAL ESSAYS:-- THE MORAL UTILITY OF AESTHETIC MANNERS ON THE SUBLIME THE PATHETIC ON GRACE AND DIGNITY ON DIGNITY ON THE NECESSARY LIMITATIONS IN THE USE OF BEAUTY AND FORM REFLECTIONS ON THE USE OF THE VULGAR AND LOW ELEMENTS IN WORKS OF ART DETACHED REFLECTIONS ON DIFFERENT QUESTIONS OF AESTHETICS ON SIMPLE AND SENTIMENTAL POETRY THE STAGE AS A MORAL INSTITUTION ON THE TRAGIC ART OF THE CAUSE OF THE PLEASURE WE DERIVE FROM TRAGIC OBJECTS INTRODUCTION. The special subject of the greater part of the letters and essays of Schiller contained in this volume is Aesthetics; and before passing to any remarks on his treatment of the subject it will be useful to offer a few observations on the nature of this topic, and on its treatment by the philosophical spirit of different ages. First, then, aesthetics has for its object the vast realm of the beautiful, and it may be most adequately defined as the philosophy of art or of the fine arts. To some the definition may seem arbitrary, as excluding the beautiful in nature; but it will cease to appear so if it is remarked that the beauty which is the work of art is higher than natural beauty, because it is the offspring of the mind. Moreover, if, in conformity with a certain school of modern philosophy, the mind be viewed as the true being, including all in itself, it must be admitted that beauty is only truly beautiful when it shares in the nature of mind, and is mind's offspring. Viewed in this light, the beauty of nature is only a reflection of the beauty of the mind, only an imperfect beauty, which as to its essence is included in that of
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