wo sexes in the whole complex
framework of society, or at all events it seeks to do so; and, taking as
its model the free alliance it has knit between manly strength and
womanly gentleness, it strives to place in harmony, in the moral world,
all the elements of gentleness and of violence. Now, at length, weakness
becomes sacred, and an unbridled strength disgraces; the injustice of
nature is corrected by the generosity of chivalrous manners. The being
whom no power can make tremble, is disarmed by the amiable blush of
modesty, and tears extinguish a vengeance that blood could not have
quenched. Hatred itself hears the delicate voice of honor, the
conqueror's sword spares the disarmed enemy, and a hospitable hearth
smokes for the stranger on the dreaded hillside where murder alone
awaited him before.

In the midst of the formidable realm of forces, and of the sacred empire
of laws, the aesthetic impulse of form creates by degrees a third and a
joyous realm, that of play and of the appearance, where she emancipates
man from fetters, in all his relations, and from all that is named
constraint, whether physical or moral.

If in the dynamic state of rights men mutually move and come into
collision as forces, in the moral (ethical) state of duties, man opposes
to man the majesty of the laws, and chains down his will. In this realm
of the beautiful or the aesthetic state, man ought to appear to man only
as a form, and an object of free play. To give freedom through freedom
is the fundamental law of this realm.

The dynamic state can only make society simple possibly by subduing
nature through nature; the moral (ethical) state can only make it morally
necessary by submitting the will of the individual to the general will.

The aesthetic state alone can make it real, because it carries out the
will of all through the nature of the individual. If necessity alone
forces man to enter into society, and if his reason engraves on his soul
social principles, it is beauty only that can give him a social
character; taste alone brings harmony into society, because it creates
harmony in the individual. All other forms of perception divide the man,
because they are based exclusively either in the sensuous or in the
spiritual part of his being. It is only the perception of beauty that
makes of him an entirety, because it demands the co-operation of his two
natures. All other forms of communication divide society, because they
apply exclu