f the Sub-Ossianic period brings us to another epoch in
the history of Gaelic poetry. The Bard was now the chieftain's retainer,
at home a crofter and pensioner,[11] abroad a follower of the camp. We
find him cheering the rowers of the galley, with his _birlinn_ chant,
and stirring on the fight with his _prosnuchadh catha_, or battle-song.
At the noted battle of Harlaw,[12] a piece was sung which has escaped
the wreck of that tremendous slaughter, and of contemporary poetry. It
is undoubtedly genuine; and the critics of Gaelic verse are unanimous in
ascribing to it every excellence which can belong either to alliterative
art, or musical excitement. Of the battle-hymn some splendid specimens
have been handed down; and these are to be regarded with an amount of
confidence, from the apparent ease with which the very long "Incitement
to Battle," in the "Garioch Battle-Storm," as Harlaw is called, was
remembered. Collections of favourite pieces began to be made in writing
about the period of the revival of letters. The researches of the
Highland Society brought to light a miscellany, embracing the poetical
labours of two contemporaries of rank, Sir Duncan Campbell[13] of
Glenurchay, and Lady Isabel Campbell. From this period the poet's art
degenerates into a sort of family chronicle. There were, however,
incidents which deserved a more affecting style of memorial; and this
appears in lays which still command the interest and draw forth the
tears of the Highlander. The story of the persecuted Clan Gregor
supplies many illustrations, such as the oft-chanted _Macgregor na
Ruara_,[14] and the mournful melodies of Janet Campbell.[15] In the
footsteps of these exciting subjects of poetry, came the inspiring
Montrose wars, which introduce to our acquaintance the more modern class
of bards; of these the most conspicuous is, Ian Lom[16] or Manntach.
This bard was a Macdonald; he hung on the skirts of armies, and at the
close of the battle sung the triumph or the wail, on the side of his
partisans.[17] To the presence of this person the clans are supposed to
have been indebted for much of the enthusiasm which led them to glory in
the wars of Montrose. His poetry only reaches mediocrity, but the
success which attended it led the chiefs to seek similar support in the
Jacobite wars; and very animated compositions were the result of their
encouragement. Mathieson, the family bard of Seaforth, Macvuirich, the
pensioner of Clanranald, and Hec