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The Project Gutenberg EBook of The Mind of the Artist, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Mind of the Artist Thoughts and Sayings of Painters and Sculptors on Their Art Author: Various Commentator: George Clausen Release Date: June 22, 2006 [EBook #18653] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE MIND OF THE ARTIST *** Produced by David Clarke, Sjaani and the Online Distributed Proofreading Team at http://www.pgdp.net THE MIND OF THE ARTIST [Illustration: _Rembrandt_ THE POLISH RIDER _Berlin Photographic Co_] THOUGHTS AND SAYINGS OF PAINTERS AND SCULPTORS ON THEIR ART COLLECTED & ARRANGED BY MRS. LAURENCE BINYON WITH A PREFACE BY GEORGE CLAUSEN, R.A. LONDON CHATTO & WINDUS 1909 _All rights reserved_ PREFACE It is always interesting and profitable to get the views of workmen on their work, and on the principles which guide them in it; and in bringing together these sayings of artists Mrs. Binyon has done a very useful thing. A great number of opinions are presented, which, in their points of agreement and disagreement, bring before us in the most charming way the wide range of the artist's thought, and enable us to realise that the work of the great ones is not founded on vague caprice or so-called inspiration, but on sure intuitions which lead to definite knowledge; not merely the necessary knowledge of the craftsman, which many have possessed whose work has failed to hold the attention of the world, but also a knowledge of nature's laws. "The Mind of the Artist" speaks for itself, and really requires no word of introduction. These opinions as a whole, seem to me to have a harmony and consistency, and to announce clearly that the directing impulse must be a desire for expression, that art is a language, and that the thing to be said is of more importance than the manner of saying it. This desire for expression is the driving-force of the artist; it informs, controls, and animates his method of working; it governs the hand and eye. That figures should give the impression of life and spontaneity, that the sun should shine, trees move in the wind, and nature b
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