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e ignorant, the zeal of the conceited. _Whistler._ XLIII Art will not grow and flourish, nay it will not long exist, unless it be shared by all people; and for my part I don't wish that it should. _William Morris._ XLIV No, art is not an element of corruption. The man who drinks from a wooden bowl is nearer to the brute that drinks from a stone trough than he who quenches his thirst from a crystal cup; and the artist who gave the glass its shape, impressed as in a mould of bronze by the simple means of a second's breath and yet more cheaply than the fashioning of the wooden bowl, has done more to ennoble and improve his neighbour than any inventor of a system: in his work he gives him the use and the enjoyment of things for which orators can only create a craving. _Jules Klagmann._ XLV The improviser never makes fine poetry. _Titian._ XLVI Agatharcus said to Zeuxis--For my part I soon despatch my Pictures. You are a happy Man, replies Zeuxis; I do mine with Time and application, because I would have them good, and I am satisfyed, that what is soon done, will soon be forgotten. XLVII Art is not a pleasure trip. It is a battle, a mill that grinds. _Millet._ STUDY AND TRAINING XLVIII Raphael and Michael Angelo owe that immortal fame of theirs, which has gone out into the ends of the earth, to the passion of curiosity and delight with which this noble subject inspired them. No man who has not studied the sciences can make a work that shall bring him great praise, save from ignorant and easily satisfied persons. _Jean Goujon._ XLIX He that would be a painter must have a natural turn thereto. Love and delight therein are better teachers of the Art of Painting than compulsion is. If a man is to become a really good painter he must be educated thereto from his very earliest years. He must copy much of the work of good artists until he attain a free hand. To paint is to be able to portray upon a flat surface any visible thing whatsoever that may be chosen. It is well for any one first to learn how to divide and reduce to measure the human figure, before learning anything else. _Duerer._ L The painter requires such knowledge of mathematics as belongs to painting, and severance from companions who are not in sympathy with his studies, and his brain should have the power of adapting itself to the tenor of the objects which present themselv
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