ime to draw in mass, to draw
rapidly, which is the only possible way of drawing, and which is to-day
one of the chief faculties of our moderns. I put myself to draw in the
winking of an eye the first group that presents itself; if it moves on I
have at least put down the general character; if it stops, I can go on
to the details. I do many such exercises, and have even gone so far as
to cover the lining of my hat with lightning sketches of opera-ballets
and opera scenery.
_Corot._
LXVII
There is my model (the artist pointed to the crowd which thronged a
market-place); art lives by studying nature, not by imitating any
artist.
_Eupompus._
LXVIII
When you have clearly and distinctly learned in what good colouring
consists, you cannot do better than have recourse to nature herself, who
is always at hand, and in comparison of whose true splendour the best
coloured pictures are but faint and feeble.
However, as the practice of copying is not entirely to be excluded,
since the mechanical practice of painting is learned in some measure by
it, let those choice parts only be selected which have recommended the
work to notice. If its excellence consists in its general effect, it
would be proper to make slight sketches of the machinery and general
management of the picture. Those sketches should be kept always by you
for the regulation of your style. Instead of copying the touches of
those great masters, copy only their conceptions. Instead of treading in
their footsteps, endeavour only to keep the same road. Labour to invent
on their general principles and way of thinking. Possess yourself with
their spirit. Consider with yourself how a Michael Angelo or a Raffaelle
would have treated this subject; and work yourself into a belief that
your picture is to be seen and criticised by them when completed. Even
an attempt of this kind will rouse your powers.
_Reynolds._
LXIX
What do you mean--that you have been working, but without success? Do
you mean that you cannot get the price you ask? then sell it for less,
till, by practice, you shall improve, and command a better price. Or do
you only mean that you are not satisfied with your work? nobody ever was
that I know, except J---- W----. Peg away! While you're at work you must
be improving. Do something from Nature indoors when you cannot get out,
to keep your hand and eye in practice. Don't get into the way of working
too much at your drawings away from N
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