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e of them for the first time, and observing the slit in the lower lip through which the native thrust his tongue, thought he had discovered a man with two mouths. The use of the labret, like many of the attempts at primitive ornamentation, is very old, its use having been traced by Dall along the American coast from the lower part of Chili to Alaska. Persons fond of tracing, vestiges of savage ornamentation amid intellectual advancement and aesthetic sensibility far in advance of the primitive man, may observe in the wearers of bangles and earrings the same tendency existing in a differentiated form. DIVERSIONS. I doubt whether Shakespeare's dictum in regard to music holds good when applied to the Eskimo, for they have but little music in their souls, and among no people is there such a noticeable absence of "treason, stratagem and spoil." A rude drum and a monotonous chant, consisting only of the fundamental note and minor third, are the only things in the way of music among the more remote settlements of which I have any knowledge. Mrs. Micawber's singing has been described as the table-beer of acoustics. Eskimo singing is something more. The beer has become flat by the addition of ice. One of our engineers, who is quite a fiddler, experimented on his instrument with a view to seeing what effect music would have on the "savage breast," but his best efforts at rendering "Madame Angot" and the "Grande Duchesse" were wasted before an unsympathetic audience, who showed as little appreciation of his performance as some people do when listening to Wagner's "Music of the Future." Where they have come in contact with civilization their musical taste is more developed. At Saint Michael's I was told that some of their songs are so characteristic that it is much to be regretted that some of them cannot be bottled up in a phonograph and sent to a musical composer. On the coast of Siberia I heard an Eskimo boy sing correctly a song he had learned while on board a whaling vessel, and on several of the Aleutian islands the natives play the accordeon quite well; have music-boxes, and even whistle strains from "Pinafore." From music to dancing the transition is obvious, no matter whether the latter be regarded in a Darwinian sense as a device to attract the opposite sex or as the expression of joyous excitement. This manifestation of feeling in its bodily discharge, which Moses and Miriam and David indulged in, which is rank
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