e the
blood course freely in every one of Irish stock when he looks upon
what is and thinks of what was, but even in the coldest light give
food for thought to every one desirous of knowing something of the
growth and civilization of a great people.
Of the many castles and stout Irish strongholds it is hard to write
in such a short paper as this. Those on the Boyne, such as Trim, for
strong building and extent, excel in many ways. Carlingford,
Carrickfergus, and Dunluce have by their size and picturesque
situations ever appealed to visitors. They are each built on rocks
jutting into the sea, Dunluce on a great perpendicular height, the
Atlantic dashing below. Dunamace, near Maryborough, in the O'More
country, appears like Cashel, but is entirely military. The famed
walled cities of Kells, in Kilkenny, and Fore, in Westmeath, are
remarkable. Each has an abbey, many towers, gates, and stout
bastions. The great keeps of the midland lords, the towers of
Granuaile on the west coast, and the traders' towers on the east
coast, especially those of Down, afford ample material for a study of
the early colonizing efforts of different invaders, as well as
providing incidents of heroism and romance. These square battlemented
towers can be seen here and there in every district.
Every portion of Ireland has its ruins. Earthworks, stone forts,
prehistoric monuments, circular stone huts, early churches, abbeys,
crosses, round towers, castles of every size and shape are to be
found in every county, some one in every parish, all over Ireland. It
is almost invidious to name any in particular where the number is so
great.
REFERENCES:
Proceedings of Royal Irish Academy (Dublin); Proceedings of Society
of Antiquaries (Dublin); Ulster Journal of Archaeology, Old Series
and New Series, edited by F.J. Bigger, Belfast; Wakeman: Handbook of
Irish Antiquities (Dublin, 1891); Stokes: Early Christian Art in
Ireland (Dublin, 1887); Petrie: Round Towers and Ancient Architecture
of Ireland (Dublin, 1845).
MODERN IRISH ART
By D.J. O'DONOGHUE,
_Librarian, University College, Dublin_.
It would be difficult to dispute, in view of her innumerable and
excellent artists, that there has always been in modern times an art
consciousness in Ireland, but it is impossible to assert that there
has been any artistic unity in her people. She has produced no
school, but merely a great number of brilliant painters, sculptors,
and engravers, c
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