his mental vision. There is perhaps some analogy between these
images and those of "faces in the fire." One may often fancy an
exceedingly well-marked face or other object in the burning coals,
but probably everybody will find, as I have done, that it is
impossible to draw it, for as soon as its outlines are seriously
studied, the fancy flies away.
Mr. Flinders Petrie, a contributor of interesting experiments on
kindred subjects to _Nature_, informs me that he habitually works
out sums by aid of an imaginary sliding rule, which he sets in the
desired way and reads off mentally. He does not usually visualise
the whole rule, but only that part of it with which he is at the
moment concerned (see Plate II. Fig. 34, where, however, the artist
has not put in the divisions very correctly). I think this is one of
the most striking cases of accurate visualising power it is possible
to imagine.
I have a few returns from chess-players who play games blindfolded;
but the powers of such men to visualise the separate boards with
different sets of men on the different boards, some ivory, some wood,
and so forth, are well known, and I need not repeat them. I will
rather give the following extract from an article in the _Pall Mall
Gazette_, 27th June 1882, on the recent chess tournament at Vienna:--
"The modern feats of blindfold play (without sight of board) greatly
surpass those of twenty years ago. Paul Morphy, the American, was
the first who made an especial study of this kind of display,
playing some seven or eight games blindfold and simultaneously
against various inferior opponents, and making lucrative exhibitions
in this way. His abilities in this line created a scare among other
rivals who had not practised this test of memory. Since his day many
chess-players who are gifted with strong and clear memory and power
of picturing to the mind the ideal board and men, have carried this
branch of exhibition play far beyond Morphy's pitch; and,
contemporaneously with this development, it has become acknowledged
that skill in blindfold play is not an absolute test of similarly
relative powers over the board: _e.g._ Blackburne and Zukertort can
play as many as sixteen, or even twenty, blindfold games at a time,
and win about 80 per cent of them at least. Steinitz, who beats them
both in match play, does not essay more than six blindfold at a time.
Mason does not, to our knowledge, make any _specialite_ at all of
this sort."
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