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n to Spain iii, 130;
her Marriages, iii, 131;
her Residence at Genoa, her Honors, and her Intercourse with
Vandyck, iii, 132.
Antique Sculptures in Rome, ii, 159.
Antiquities of Herculaneum and Pompeii, ii, 43.
Antiquity of the Fine Arts, i, 12.
Aparicio, Canova, and Thorwaldsen, i, 236.
Apelles, i, 18;
his Works, i, 18;
his Industry, i, 19;
his Portraits of Philip and Alexander, i, 19;
his Venus Anadyomene, i, 20;
Apelles and the Cobbler, i, 23;
his Foaming Charger, i, 24;
his Freedom with Alexander, i, 25;
Apelles and Protogenes, i, 25;
the celebrated Contest of Lines, i, 26;
his Generosity to Protogenes, i, 28.
Apelles of Ephesus, i, 93;
his Treatment by Ptolomy Philopator, i, 94;
his Revenge in his famous Picture of Calumny, i, 94;
Lucian's description of it, i, 94;
Raffaelle's Drawing of it, i, 95;
Proof that there were two Painters named Apelles, i, 95.
Apollo Belvidere--West's Criticism, i, 41.
Apollo, Colossal Etruscan, i, 90.
Apollo Sauroctonos, i, 155.
Apollodorus the Painter, i, 162;
his Works and Style, i, 163.
Apollodorus the Architect, i, 163;
his Worke, i, 164;
Trajan's Column, i, 164;
Apollodorus and Adrian, i, 165;
his Wicked Death, i, 165.
Aqueducts of Ancient Rome, ii 152.
Arch, Origin and Antiquity of the, ii. 41.
Arches, Triumphal, ii, 157.
Archimedes, iii, 77;
his Genius, Discoveries, and Inventions, iii, 77;
his Wonderful Machines, iii, 78;
his Death and Monument, iii, 79;
Story of his Burning Glasses proved true, iii, 79.
Ardemans and Bocanegra--a Trial of Skill, iii, 201.
Art, Egyptian, iii, 1-42, and iii, 263.
Art, Grecian, derived from the Egyptian--Champollion's Opinion, iii, 1;
Origin of, iii, 265.
Athenians, Ingratitude of, to Artists, i, 159.
Backhuysen, Ludolph, Sketch of his Life and Works, iii, 235.
Banks, Thomas--his Ambition, i, 2;
his Character, i, 295;
his Genius, i, 297;
his Kindness to Young Sculptors, i, 298;
his Personal Appearance and Habits, i, 299;
Flaxman's Tribute, i, 300.
Barry, James--his Enthusiasm, i, 2;
his Poverty, Death, and Monument, i, 3;
Johnson's Opinion of his Genius, i, 3.
Bassano, Jacopo--singular instance of his Skill, ii, 139.
Beaumont, Sir George--his Opinion of the Importance of the
Fine Arts, i,
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