e
Works of Correggio, i, 253;
instance of his Skill, ii, 137;
his Jealousy of Agostino, iii, 258.

Carburi, Count--his Skill in Engineering, iii, 42.

Caracciolo, Gio. Battista--his Intrigues, ii, 128.

Carducci, Bartolomeo--his kind Criticism, iii, 203.

Carlos, the Four, of the 17th Century, ii, 184.

Caravaggio, Michael Angelo da--his Quarrelsome Disposition
and his Death, iii, 248.

Carreno, Don Juan, and Charles II, iii, 208;
his Copy of Titian's St. Margaret, iii, 208;
his Abstraction of Mind, iii, 209.

Castagno, Andrea del, his Treachery and Death, ii, 144.

Castillo's Sarcasm on Alfaro, iii, 204.

Catacombs of Egypt, iii, 12.

Catino, the Sagro, or Emerald Dish, iii, 215.

Cellini, Benvenute, iii, 255;
Cellini and Urban VIII;
his absolution for sins committed in the service of the
Church, iii, 255.

Cespedes, Pablo--his Last Supper, iii, 209;
Zuccaro's Compliment to Cespedes, iii, 210.

Chair of St. Peter, iii, 213.

Church, St Peter's, iii, 61

Churches of Rome, iii, 60.

Cimabue, Giovanni--Sketch of his Life, ii, 251;
his Style, ii, 252;
his Passion for Art, ii, 252;
his famous picture of the Virgin, ii, 253;
remarkable instance of homage to Art, ii, 254;
his Works, ii, 255;
his Death, ii, 256;
his Care of Giotto, ii, 257.

Cloaca Maxima at Rome, ii, 42.

Coello, Claudio, his challenge to Giordano, ii, 234.

Column, Trajan's, i, 164.

Column of Austerlitz, iii, 280.

Colosseum, description of, ii, 29;
Montaigne's quaint account of its Spectacles, ii, 31.

Colossus of the Sun at Rhodes, ii, 162.

"Columbus and the Egg," story of, derived by him from
Brunelleschi, iii, 95.

Contarini, Cav. Giovanni--his skill in Portraits, ii, 139.

Contri, Antonio--his method of transferring frescos from walls to
canvass, ii, 146;
see also Palmarolis, ii, 147.

Cooper, J. Fennimore--his Encouragement of Greenough, i, 66;
his Letter to Induce his Countrymen to Patronize their own
Artists, i, 67.

Corenzio, Belisario--his Intrigues, ii, 128.

Corinthian Capital, invention of, i, 152.

Correggio--Sketch of his Life, i, 243;
his Cupola of the Church of St. John at Parma, i, 244;
his grand Cupola of the Cathedral, i, 246;
his Fate Exaggerated, i, 249;
Lanzi's Opinion, i, 251;
his Marriage and Children, i, 252;
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