, and the Venus of Cnidus, i, 157.

Press, Hydraulic, explained, iii 52;
its Tremendous Power and Use, iii, 53.

Proctor, his Genius and Works, i, 4;
his Misfortunes and melancholy Death, i, 5.

Protogenes, i, 149;
his Works, and his famous picture of Ialysus and his Dog, i, 149;
Protogenes and Demetrius Poliorcetes, i, 28, and i, 149;
and Apelles, i, 25.

Pyramids of Egypt, iii, 19.

Pyramid of Cephren, Perilous Ascent of, iii, 27.

Raffaelle, i, 70;
his ambition, i, 70;
Raffaelle and Michael Angelo, i, 71;
his Transfiguration, i, 72;
his Death, i, 74;
his Character, i, 74;
his Mistress, i, 75;
his Genius, i, 76;
his Model for his Female Saints, i, 76;
his Oil Paintings, i, 77;
his Portraits of Julius II., i, 78;
his different Manners, i, 78;
his Skill in Portraits, ii, 138;
Skull of Raffaelle in the Academy of St Luke, ii, 183.

Ranc, Jean--his Retort, iii, 201.

Rebuke, a Painter's just, iii, 200.

Retort Courteous, a Painter's, iii, 201.

Rembrandt--Sketch of his Life, iii, 170;
his Studio and Models, iii, 171;
his great Success, iii, 172;
his Deceits to sell and increase the Price of his Works, iii, 173;
his numerous Works, iii, 173;
his extraordinary Merits as an Engraver, iii, 174.

Reynolds, Sir Joshua, i, 188;
his pleasing Manners, Fortune, and Collection of Works of Art, i, 189;
his new Style and its Success, i, 189;
his Prices, i, 191;
his Method with his Sitters, i, 192;
his Removal to Leicester Square, i, 192;
his showy Coach, i, 193;
his Table and Guests, i, 194;
the Founding of the Royal Academy, and his election as
President, i, 194;
Reynolds and Dr. Johnson, i, 195;
Johnson's Friendship for Reynolds, and his Apology for Portrait
Painting, i, 196 and 197;
the Literary Club, i, 198;
Johnson's Portrait, i, 198;
Johnson's Death, i, 199;
Reynolds and Dr. Goldsmith, i, 199;
the "Deserted Village," i, 200;
"Retaliation," i, 200;
Pope's Fan i, 201;
Reynolds' first Attempts in Art, i, 202;
Force of Habit, i, 202;
Paying the Piper, i, 203;
his Modesty and his Generosity, i, 203;
his Love of Art, i, 204;
his Critique on Rubens, i, 205;
Reynolds and Haydn, i, 206;
his Skill in Compliment, i, 207;
his Excellent Advice, i, 208;
Reynolds as Mayor of Plym