t servants of their guests; and it was, says
Harrison, a world to see how they did contend for the entertainment of
their guests--as about fineness and change of linen, furniture of
bedding, beauty of rooms, service at the table, costliness of plate,
strength of drink, variety of wines, or well-using of horses. The
gorgeous signs at their doors sometimes cost forty pounds. The inns were
cheap too, and the landlord let no one depart dissatisfied with his bill.
The worst inns were in London, and the tradition has been handed down.
But the ostlers, Harrison confesses, did sometimes cheat in the feed, and
they with the tapsters and chamberlains were in league (and the landlord
was not always above suspicion) with highwaymen outside, to ascertain if
the traveler carried any valuables; so that when he left the hospitable
inn he was quite likely to be stopped on the highway and relieved of his
money. The highwayman was a conspicuous character. One of the most
romantic of these gentry at one time was a woman named Mary Frith, born
in 1585, and known as Moll Cut-Purse. She dressed in male attire, was an
adroit fencer, a bold rider, and a staunch royalist; she once took two
hundred gold jacobuses from the Parliamentary General Fairfax on Hounslow
Heath. She is the chief character in Middleton's play of the "Roaring
Girl"; and after a varied life as a thief, cutpurse, pickpocket,
highwayman, trainer of animals, and keeper of a thieves' fence, she died
in peace at the age of seventy. To return to the inns, Fyner Morrison, a
traveler in 1617, sustains all that Harrison says of the inns as the best
and cheapest in the world, where the guest shall have his own pleasure.
No sooner does he arrive than the servants run to him--one takes his
horse, another shows him his chamber and lights his fire, a third pulls
off his boots. Then come the host and hostess to inquire what meat he
will choose, and he may have their company if he like. He shall be
offered music while he eats, and if he be solitary the musicians will
give him good-day with music in the morning. In short, "a man cannot more
freely command at home, in his own house, than he may do in his inn."

The amusements of the age were often rough, but certainly more moral than
they were later; and although the theatres were denounced by such
reformers as Stubbes as seminaries of vice, and disapproved by Harrison;
they were better than after the Restoration, when the plays of
Shakespeare