NINE SHORT ESSAYS

By Charles Dudley Warner

CONTENTS:

A NIGHT IN THE GARDEN OF THE TUILERIES
TRUTHFULNESS
THE PURSUIT OF HAPPINESS
LITERATURE AND THE STAGE
THE LIFE-SAVING AND LIFE PROLONGING ART
"H.H." IN SOUTHERN CALIFORNIA
SIMPLICITY
THE ENGLISH VOLUNTEERS DURING THE LATE INVASION
NATHAN HALE

A NIGHT IN THE GARDEN OF THE TUILERIES

It was in the time of the Second Empire. To be exact, it was the night of
the 18th of June, 1868; I remember the date, because, contrary to the
astronomical theory of short nights at this season, this was the longest
night I ever saw. It was the loveliest time of the year in Paris, when
one was tempted to lounge all day in the gardens and to give to sleep
none of the balmy nights in this gay capital, where the night was
illuminated like the day, and some new pleasure or delight always led
along the sparkling hours. Any day the Garden of the Tuileries was a
microcosm repaying study. There idle Paris sunned itself; through it the
promenaders flowed from the Rue de Rivoli gate by the palace to the
entrance on the Place de la Concorde, out to the Champs-Elysees and back
again; here in the north grove gathered thousands to hear the regimental
band in the afternoon; children chased butterflies about the flower-beds
and amid the tubs of orange-trees; travelers, guide-book in hand, stood
resolutely and incredulously before the groups of statuary, wondering
what that Infant was doing with, the snakes and why the recumbent figure
of the Nile should have so many children climbing over him; or watched
the long facade of the palace hour after hour, in the hope of catching at
some window the flutter of a royal robe; and swarthy, turbaned Zouaves,
erect, lithe, insouciant, with the firm, springy step of the tiger,
lounged along the allees.

Napoleon was at home--a fact attested by a reversal of the hospitable
rule of democracy, no visitors being admitted to the palace when he was
at home. The private garden, close to the imperial residence, was also
closed to the public, who in vain looked across the sunken fence to the
parterres, fountains, and statues, in the hope that the mysterious man
would come out there and publicly enjoy himself. But he never came,
though I have no doubt that he looked out of the windows upon the
beautiful garden and his happy Parisians, upon the groves of
horse-chestnuts, the needle-like fountain beyond, the Column of Luxor, up
the famous and s