t to enter than
the first to go out in the morning, past those lynx-eyed gendarmes. From
my covert I eagerly watched for my coming deliverers. The first to appear
was a 'chiffonnier,' who threw his sack and pick down by the basin,
bathed his face, and drank from his hand. It seemed to me almost like an
act of worship, and I would have embraced that rag-picker as a brother.
But I knew that such a proceeding, in the name even of egalite and
fraternite would have been misinterpreted; and I waited till two and
three and a dozen entered by this gate and that, and I was at full
liberty to stretch my limbs and walk out upon the quay as nonchalant as
if I had been taking a morning stroll.

I have reason to believe that the police of Paris never knew where I
spent the night of the 18th of June. It must have mystified them.

TRUTHFULNESS

Truthfulness is as essential in literature as it is in conduct, in
fiction as it is in the report of an actual occurrence. Falsehood
vitiates a poem, a painting, exactly as it does a life. Truthfulness is a
quality like simplicity. Simplicity in literature is mainly a matter of
clear vision and lucid expression, however complex the subject-matter may
be; exactly as in life, simplicity does not so much depend upon external
conditions as upon the spirit in which one lives. It may be more
difficult to maintain simplicity of living with a great fortune than in
poverty, but simplicity of spirit--that is, superiority of soul to
circumstance--is possible in any condition. Unfortunately the common
expression that a certain person has wealth is not so true as it would be
to say that wealth has him. The life of one with great possessions and
corresponding responsibilities may be full of complexity; the subject of
literary art may be exceedingly complex; but we do not set complexity
over against simplicity. For simplicity is a quality essential to true
life as it is to literature of the first class; it is opposed to parade,
to artificiality, to obscurity.

The quality of truthfulness is not so easily defined. It also is a matter
of spirit and intuition. We have no difficulty in applying the rules of
common morality to certain functions of writers for the public, for
instance, the duties of the newspaper reporter, or the newspaper
correspondent, or the narrator of any event in life the relation of which
owes its value to its being absolutely true. The same may be said of
hoaxes, literary or scient