FREE BOOKS

Author's List




PREV.   NEXT  
|<   688   689   690   691   692   693   694   695   696   697   698   699   700   701   702   703   704   705   706   707   708   709   710   711   712  
713   714   715   716   717   718   719   720   721   722   723   724   725   726   727   728   729   730   731   732   733   734   735   736   737   >>   >|  
in colors as fresh as if done yesterday, though they were executed thirteen hundred years ago. The mosaic on the left side--which is, perhaps, the finest one of the period in existence--is interesting on another account. It represents the city of Classis, with sea and ships, and a long procession of twenty-two virgins presenting offerings to the Virgin and Child, seated on a throne. The Virgin is surrounded by angels, and has a glory round her head, which shows that homage is being paid to her. It has been supposed, from the early monuments of Christian art, that the worship of the Virgin is of comparatively recent origin; but this mosaic would go to show that Mariolatry was established before the end of the sixth century. Near this church is part of the front of the palace of Theodoric, in which the Exarchs and Lombard kings subsequently resided. Its treasures and marbles Charlemagne carried off to Germany. DOWN TO THE PINETA We drove three miles beyond the city, to the Church of St. Apollinare in Classe, a lonely edifice in a waste of marsh, a grand old basilica, a purer specimen of Christian art than Rome or any other Italian town can boast. Just outside the city gate stands a Greek cross on a small fluted column, which marks the site of the once magnificent Basilica of St. Laurentius, which was demolished in the sixteenth century, its stone built into a new church in town, and its rich marbles carried to all-absorbing Rome. It was the last relic of the old port of Caesarea, famous since the time of Augustus. A marble column on a green meadow is all that remains of a once prosperous city. Our road lay through the marshy plain, across an elevated bridge over the sluggish united stream of the Ronco and Montone, from which there is a wide view, including the Pineta (or Pine Forest), the Church of St. Apollinare in the midst of rice-fields and marshes, and on a clear day the Alps and Apennines. I can imagine nothing more desolate than this solitary church, or the approach to it. Laborers were busy spading up the heavy, wet ground, or digging trenches, which instantly filled with water, for the whole country was afloat. The frogs greeted us with clamorous chorus out of their slimy pools, and the mosquitoes attacked us as we rode along. I noticed about on the bogs, wherever they could find standing-room, half-naked wretches, with long spears, having several prongs like tridents, which they thrust into the gra
PREV.   NEXT  
|<   688   689   690   691   692   693   694   695   696   697   698   699   700   701   702   703   704   705   706   707   708   709   710   711   712  
713   714   715   716   717   718   719   720   721   722   723   724   725   726   727   728   729   730   731   732   733   734   735   736   737   >>   >|  



Top keywords:

Virgin

 

church

 

carried

 

Christian

 

Apollinare

 

Church

 

marbles

 

column

 

century

 

mosaic


Montone

 

elevated

 
bridge
 

united

 

stream

 
Pineta
 

Forest

 

sluggish

 

including

 
Caesarea

famous

 

absorbing

 

sixteenth

 

Augustus

 
marshy
 

fields

 

prosperous

 
marble
 

meadow

 

remains


noticed

 

attacked

 
chorus
 

mosquitoes

 

prongs

 

tridents

 

thrust

 
spears
 
standing
 

wretches


clamorous

 

greeted

 

solitary

 

desolate

 

approach

 

Laborers

 

demolished

 
Apennines
 

imagine

 

spading