here was the sun, a red ball of
fire, just dipping into the sea. At once the whole horizon line of
water became a bright crimson, which deepened as evening advanced,
glowing with more intense fire, and holding a broad band of what
seemed solid color for more than three quarters of an hour. The
colors, meantime, on the level water, never were on painter's
palette, and never were counterfeited by the changeable silks of
eastern looms; and this gorgeous spectacle continued till the stars
came out, crowding the sky with silver points.

Our boatmen, who had been reinforced at Capri, and were inspired
either by the wine of the island or the beauty of the night, pulled
with new vigor, and broke out again and again into the wild songs of
this coast. A favorite was the Garibaldi song, which invariably ended
in a cheer and a tiger, and threw the singers into such a spurt of
excitement that the oars forgot to keep time, and there was more
splash than speed. The singers all sang one part in minor: there was
no harmony, the voices were not rich, and the melody was not
remarkable; but there was, after all, a wild pathos in it. Music is
very much here what it is in Naples. I have to keep saying to myself
that Italy is a land of song; else I should think that people mistake
noise for music.

The boatmen are an honest set of fellows, as Italians go; and, let us
hope, not unworthy followers of their patron, St. Antonino, whose
chapel is on the edge of the gorge near the Villa Nardi. A silver
image of the saint, half life-size, stands upon the rich marble
altar. This valuable statue has been, if tradition is correct, five
times captured and carried away by marauders, who have at different
times sacked Sorrento of its marbles, bronzes, and precious things,
and each time, by some mysterious providence, has found its way back
again,--an instance of constancy in a solid silver image which is
worthy of commendation. The little chapel is hung all about with
votive offerings in wax of arms, legs, heads, hands, effigies, and
with coarse lithographs, in frames, of storms at sea and perils of
ships, hung up by sailors who, having escaped the dangers of the
deep, offer these tributes to their dear saint. The skirts of the
image are worn quite smooth with kissing. Underneath it, at the back
of the altar, an oil light is always burning; and below repose the
bones of the holy man.

The whole shore is fascinating to one in an idle mood, and is goo