d
mousing-ground for the antiquarian. For myself, I am content with
one generalization, which I find saves a world of bother and
perplexity: it is quite safe to style every excavation, cavern,
circular wall, or arch by the sea, a Roman bath. It is the final
resort of the antiquarians. This theory has kept me from entering
the discussion, whether the substructions in the cliff under the
Poggio Syracuse, a royal villa, are temples of the Sirens, or caves
of Ulysses. I only know that I descend to the sea there by broad
interior flights of steps, which lead through galleries and
corridors, and high, vaulted passages, whence extend apartments and
caves far reaching into the solid rock. At intervals are landings,
where arched windows are cut out to the sea, with stone seats and
protecting walls. At the base of the cliff I find a hewn passage, as
if there had once been here a way of embarkation; and enormous
fragments of rocks, with steps cut in them, which have fallen from
above.

Were these anything more than royal pleasure galleries, where one
could sit in coolness in the heat of summer and look on the bay and
its shipping, in the days when the great Roman fleet used to lie
opposite, above the point of Misenum? How many brave and gay
retinues have swept down these broad interior stairways, let us say
in the picturesque Middle Ages, to embark on voyages of pleasure or
warlike forays! The steps are well worn, and must have been trodden
for ages, by nobles and robbers, peasants and sailors, priests of
more than one religion, and traders of many seas, who have gone, and
left no record. The sun was slanting his last rays into the
corridors as I musingly looked down from one of the arched openings,
quite spellbound by the strangeness and dead silence of the place,
broken only by the plash of waves on the sandy beach below. I had
found my way down through a wooden door half ajar; and I thought of
the possibility of some one's shutting it for the night, and leaving
me a prisoner to await the spectres which I have no doubt throng here
when it grows dark. Hastening up out of these chambers of the past,
I escaped into the upper air, and walked rapidly home through the
narrow orange lanes.

ON TOP OF THE HOUSE

The tiptop of the Villa Nardi is a flat roof, with a wall about it
three feet high, and some little turreted affairs, that look very
much like chimneys. Joseph, the gray-haired servitor, has brought my
chair and tabl