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trino?" "That is true. Good night and thank you very much for my holiday and for all you have done for me." "Prego, prego; I thank you for giving me the pleasure of your company." "Not at all." "But I assure you--" "If you go on like this I shall begin to cry, and then I shall not sleep at all, and that will be worse than sitting up to discuss the play. So good night, finally." "Good night, Buffo. You will forgive me if I do not see you off in the morning; I do not want to get up at half-past five. I wish you Buon viaggio. Give my love to papa and Gildo and my respectful compliments to the sisters. Have you got your lump of lava and all your other goods? That's right. Sleep well and do not dream of Rosina and the good young man." "Arrivederci." TRAPANI CHAPTER VIII THE NASCITA Once I was at Trapani in September, and observed in a small shop in a back street some queer little dolls' heads made of wax. They seemed to form a set, some women and some men, and there were hands of wax to match. I did not think much about them, one cannot very well investigate everything one notices in a Sicilian town, and, as I turned away, these little heads were driven out of mine by Ignazio Giacalone, who was coming down the street. He is a young avvocato whom I have known since he was a student. He told me that he was going to be married next day, and invited me to his wedding. In the evening another friend of mine, also an avvocato, Alberto Scalisi, came to the albergo to take his coffee and, as we all sat smoking and talking, something was said about an article on the Nascita written by him and recently published in _L'Amico_, a Trapanese Sunday newspaper. I knew nothing about the Nascita, but I knew something about the avvocato whose acquaintance I had made a few years previously at the house of my friend Signor Decio D'Ali, with whom I had been dining. After dinner many guests, including the avvocato Scalisi, came to the house to rehearse a play they were preparing for a charity performance; they were all amateurs, and I never saw amateurs act so well. The Signora Decio D'Ali and the Avvocato Scalisi were the best; his was a comic part, and he did it with so much natural humour that I was anxious to read his article whatever the Nascita might be, as to which they gave me some preliminary information. They reminded me of the Presepio, the representation of the Nativita at Bethlehem, w
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