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table stalls were the most picturesque, full of fragrance and colouring. Luscious grapes and pomegranates were heaped side by side with a wealth of roses and orange blossoms and the still sweeter verbena. Many of the stall-holders wore costumes which harmonised admirably with the arcades and gabled roofs. The street was crowded with buyers and sellers and loungers, though few seemed alive to the picturesque element, in which we were absorbed. Many of the men, stalwart, strong and vigorous, were dressed in the costume of the country; knee-breeches and broad-brimmed hat; whilst broad blue and red silken sashes were tied round the waist: a hardy, active race, made for endurance. This scene had by far the most human interest of any we found in Zaragoza. As a picture of Old Spain, it would have made the fortune of an artist as we saw it that day in all the effect of sunlight and shadow, all the life and movement that seemed to rouse the arcades of the past into touch with the present. Near to this a wonderful leaning-tower stood until recently; a magnificent Moorish-looking clock-tower built about the year 1500. This was one of the glories of Zaragoza; but the inhabitants after subscribing a sum of money to prop it up, grew alarmed and subscribed another sum to pull it down. In reality it was perfectly safe and might have stood for centuries. But when all is said and done, it is in its side streets, narrow, tortuous and gloomy, that the interest of Zaragoza chiefly lies. Many of the houses are ancient and enormous palaces, once inhabited by the old aristocracy of Aragon. They are so solidly built that they not only defy time, but almost the destructive hand of man. Some of them have wonderfully interesting facades: roofs with overhanging eaves and Gothic windows guarded by wrought ironwork; features that can never tire. Magnificent and imposing gateways lead into yet more imposing courtyards. One of these was especially beautiful: and its history was romantic. [Illustration: FAIR LUCIA'S HOUSE: ZARAGOZA.] It once belonged to the son of a reigning duke who renounced all for love, and thought the world well lost. He offended his family by his marriage, and they treated him as one dead. The lady of his choice, fair Lucia, was beautiful and charming, but beneath him. Tradition says that she was an actress, and that he fell hopelessly in love with her as she played in a drama where all ended tragically. It might h
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