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into those of the laity. Knowledge became vulgarized, it stooped to lower and meaner forms that it might educate the whole people. England was slow to catch the intellectual fire which was already burning brightly across the Alps, but even amidst the turmoil of its wars and revolutions intelligence was being more widely spread. While the older literary class was dying out, a glance beneath the surface shows us the stir of a new interest in knowledge amongst the masses of the people itself. The very character of the authorship of the time, its love of compendiums and abridgements of such scientific and historical knowledge as the world believed it possessed, its dramatic performances or mysteries, the commonplace morality of its poets, the popularity of its rimed chronicles, are proof that literature was ceasing to be the possession of a purely intellectual class, and was beginning to appeal to the nation at large. The correspondence of the Paston family not only displays a fluency and grammatical correctness which would have been impossible a few years before, but shows country squires discussing about books and gathering libraries. The increased use of linen paper in place of the costlier parchment helped in the popularization of letters. In no former age had finer copies of books been produced; in none had so many been transcribed. This increased demand for their production caused the processes of copying and illuminating manuscripts to be transferred from the scriptoria of the religious houses into the hands of trade-gilds like the Gild of St. John at Bruges or the Brothers of the Pen at Brussels. It was in fact this increase of demand for books, pamphlets, or fly-sheets, especially of a grammatical or religious character, in the middle of the fifteenth century that brought about the introduction of printing. We meet with the first records of the printer's art in rude sheets struck off from wooden blocks, "block-books" as they are now called. Later on came the vast advance of printing from separate and moveable types. Originating at Maintz with the three famous printers, Gutenberg, Fust, and Schoeffer, this new process travelled southward to Strassburg, crossed the Alps to Venice, where it lent itself through the Aldi to the spread of Greek literature in Europe, and then floated down the Rhine to the towns of Flanders. [Sidenote: Caxton] It was probably at the press of Colard Mansion, in a little room over the p
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