ly
to the mantelpiece, stopped the clock, and said to the master of the
house, "Let this hand mark for ever the hour when Remenyi played at your
house."
M. Franz taking no pains to disguise; his admiration, Remenyi, gratified
by it, invited him to accompany him home. Wherever he went he received a
perfect ovation. At one place he ordered a pair of boots, which were
sent home, paid for by the municipality. Art is a national glory in
Hungary, especially that of the gypsies, which has taken root in the
very heart of the soil.
Remenyi's house at Rakos-Palota, near Pesth, is a long, rambling
building, the courtyard of which is given up to chickens, ducks and
pigs. M. Franz says the poplars before the door look like
exclamation-marks, and he thinks they are planted there to serve as
such. There are heaps of rare and precious objects of every imaginable
description--all gifts--but the ones which the owner shows with most
pride are his Hungarian sabre and a pair of boots which Liszt wore when
a child.
The question is often discussed in Hungary whether the national
Hungarian music is the production of Tzigany genius, or whether the
gypsies are only the exponents of what properly belongs to Hungary
itself. The gypsies are proved to have been in Hungary as early as the
thirteenth century, and their musicians were celebrated in the
sixteenth, some of their names still living in the memory of the people.
What has been preserved of genuine old Hungarian music (some melodies of
Timody Stephens) has no charm save its antiquity. These and other
facts--but, above all, the impression produced on him by the music
itself--have convinced M. Franz that the gypsy faculty is one not only
of execution, but creation. Gypsy art proceeds from the sentiment, the
genius, of the Tzigany race. It is too strange, its elements are too
wild, to be the exclusive product of a thoughtful, wise, believing,
practical and civilized people; but the Hungarians have understood this
art--they have surrounded it with love and respect. Gaining new life,
warmth and vigor from the welcoming applause of Hungary, it belongs to
her by virtue of her admiration and sympathetic tears.
E.C.R.
THE "GIORNO DEI MORTI."
We all know that the second of November is All Souls' Day, and that it
is the day dedicated in the Roman calendar to the commemoration of all
those who have departed "in the faith." And few who have traveled on the
continent of Europe a
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