long a way strewn with flowers to the
throne where Christ sits guarded by four angels.
Above this great scene, between the windows, above each of which there
is an ornamental mosaic, we see sixteen figures of Prophets or perhaps
Fathers. Over these are twenty-seven compartments each filled with a
mosaic. Those over the heads of the prophets are, except in the case
of him who stands, at each end, last but one, filled with a sort of
recessed throne in mosaic, over which in each case are set two doors.
But the eleven compartments over the windows and the two over the two
figures last but one at either end are filled with thirteen scenes
from the New Testament, beginning on the left as follows: (1) The Last
Supper, (2) The Agony in the Garden, (3) The Kiss of Judas, (4) Christ
taken, (5) Christ before the High Priest, (6) Christ before Herod, (7)
The Denial of Peter, (8) Judas trying to restore the money to the
priests, (9) Christ before Pilate, (10) The Via Crucis, (n) The Maries
at the Sepulchre, (12) The way to Emmaus, (13) The Incredulity of S.
Thomas.
Turning now to the Gospel side of the church, we find a similar
procession over the arcade, but of twenty-one virgin martyrs bearing
palms and crowns richly dressed with precious ornaments and jewels.
They bear the following names: SS. Pelagia, Agatha, Eulalia, Cecilia,
Lucia, Crispina, Valeria, Vincentia, Agnes with her lamb, Perpetua,
Felicitas, Justina, Anastasia, Daria, Paulina, Victoria, Anatolia,
Christina, Savona, Eugenia. They issue out of the towered gate of the
Castello of Classis, whose wall stretches before us to the great sea
gate through which we look upon the port with three ships on the
water, one of which is sailing in or out. Within the castello over the
wall of it we see buildings of a distinctly Roman type.
The procession of virgins which issues forth from this castello is led
by S Eufemia, who does not bear a palm, but carries her crown in her
two hands. Before her go the three Magi, Balthassar, Melchior, and
Caspar, bearing their gold, frankincense, and myrrh under the palms of
the long way, guided by the star to where Madonna sits enthroned with
her little Son between four angels.
Above between the windows, as on the Epistle side, are sixteen figures
in mosaic of the Prophets or Fathers; and over them again, as before,
are thirteen scenes from the life of Our Lord: (1) The Healing of the
cripple at Capernaum, (2) The Herd of Swine, (3) The H
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