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Project Gutenberg's Atlantic Monthly, Vol. 9, No. 54, April, 1862, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Atlantic Monthly, Vol. 9, No. 54, April, 1862 Author: Various Release Date: April 21, 2004 [EBook #12097] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK ATLANTIC MONTHLY *** Produced by Joshua Hutchinson, Tonya Allen and PG Distributed Proofreaders. Produced from page scans provided by Cornell University. THE ATLANTIC MONTHLY. A MAGAZINE OF LITERATURE, ART, AND POLITICS. VOL. IX.--APRIL, 1862.--NO. LIV. LETTER TO A YOUNG CONTRIBUTOR. My dear young gentleman or young lady,--for many are the Cecil Dreemes of literature who superscribe their offered manuscripts with very masculine names in very feminine handwriting,--it seems wrong not to meet your accumulated and urgent epistles with one comprehensive reply, thus condensing many private letters into a printed one. And so large a proportion of "Atlantic" readers either might, would, could, or should be "Atlantic" contributors also, that this epistle will be sure of perusal, though Mrs. Stowe remain uncut and the Autocrat go for an hour without readers. Far from me be the wild expectation that every author will not habitually measure the merits of a periodical by its appreciation of his or her last manuscript. I should as soon ask a young lady not to estimate the management of a ball by her own private luck in respect to partners. But it is worth while at least to point out that in the treatment of every contribution the real interests of editor and writer are absolutely the same, and any antagonism is merely traditional, like the supposed hostility between France and England, or between England and Slavery. No editor can ever afford the rejection of a good thing, and no author the publication of a bad one. The only difficulty lies in drawing the line. Were all offered manuscripts unequivocally good or bad, there would be no great trouble; it is the vast range of mediocrity which perplexes: the majority are too bad for blessing and too good for banning; so that no conceivable reason can be given for either fate, save that upon the destiny of any
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