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The Project Gutenberg eBook, Atlantic Monthly, Volume 3, No. 20, June, 1859, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Atlantic Monthly, Volume 3, No. 20, June, 1859 Author: Various Release Date: March 28, 2004 [eBook #11751] [Date last updated: August 27, 2005] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK ATLANTIC MONTHLY, VOLUME 3, NO. 20, JUNE, 1859*** E-text prepared by Joshua Hutchinson, Tonya Allen, and Project Gutenberg Distributed Proofreaders THE ATLANTIC MONTHLY. A MAGAZINE OF LITERATURE, ART, AND POLITICS. VOL. III.--JUNE, 1859.--NO. XX. SHAKSPEARE'S ART. "Yet must I not give Nature all; thy Art, My gentle SHAKSPEARE, must enjoy a part. For though the poet's matter Nature be, His Art doth give the fashion."--Ben Jonson. Whoever would learn to think naturally, clearly, logically, and to express himself intelligibly and earnestly, let him give his days and nights to WILLIAM SHAKSPEARE. His ear will thus accustom itself to forms of phrase whose only mannerism is occasioned by the fulness of thought and the directness of expression; and he will not easily, through the habits which either his understanding or his ear will acquire, fall into the fluent cadences of that sort of writing in which words are used without discrimination of their nice meanings,--where the sentences are only a smoothly-undulating current of common phrases, in which it takes a page to say weakly what should be said forcibly in a few periods. These are somewhat novel arguments for the study of one whom all the world has so long reverenced as "the great poet of Nature." But they may properly serve to introduce a consideration of the sense in which that phrase should be understood,--an attempt, in short, to look into Shakspeare's modes of creation, and define his relations, as an _artist_, with Nature. We shall perhaps be excused the suggestion, that a poet cannot be natural in the same sense that a fool may be; he cannot be _a_ natural,--since, if he is, he is not a poet. For to be a poet implies the ability to use ideas and forms of speech artistically, as well as to have an eye in a fine frenzy r
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