. And they the more readily and unreservedly indulged these
fancies, as nothing in the laws of China could prevent Mien-yaun from
taking as many wives as he chose, provided he could support them all,
and supply all their natural wants. But our hero knew his value. He was
fully conscious that a member of the Tse, a son of an ex-censor of the
highest board, a nephew of a personal noble and the Secretary of War,
and, above all, the brightest ornament of aristocratic society, was by
no means the sort of person to throw himself lightly away upon any woman
or any set of women. He preferred to wait.
His family had high hopes of him. He was largely gifted with filial
piety, which is everything in China. Politics, religion, literature,
government, all rest upon the broad principle of filial piety. Being
very filially pious, of course Mien-yaun was eminent in all these varied
accomplishments. Consequently his family had a right to have high hopes
of him. The great statesman, Kei-ying,--who has very recently terminated
a life of devoted patriotism and heroic virtues by a sublime death on
the scaffold,--undertook his instruction in Chinese politics. One lesson
completed his education. "Lie, cheat, steal, and honor your parents,"
were the elementary principles which Kei-ying inculcated. The readiness
with which Mien-yaun mastered them inspired his tutor with a lively
confidence in the young man's future greatness. He was pronounced a
rising character. His popularity increased. His name was in everybody's
mouth. He shunned society more sedulously than ever, and assumed new and
loftier airs. He was seized with fits of ambition, each of which lasted
a day, and then gave place to some new aspiration. First, he would be a
poet; but, after a few hours' labor, he declared the exertion of hunting
up rhymes too great an exertion. Next, he would be a moral philosopher,
and commenced a work, to be completed in sixty volumes, on the Whole
Duty of Chinamen; but he never got beyond the elementary principles he
had imbibed from Kei-ying. Again, he would become a great painter; but,
having in an unguarded moment permitted the claims of perspective to be
recognized, he was discouraged from this attempt by a deputation of the
first artists of the empire, who waited upon him, and with great respect
laid before him the appalling effects that would inevitably follow any
public recognition of perspective in painting. Finally, he renounced
all ambition bu
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