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it was suggestive of the worst possible fears. I looked about for something with which I could prod into the debris. The only thing available was a great twisted steel lightning rod that reared up through the ashes. The result of my effort was a discovery from which I recoiled. For a moment I found it expedient to step away from the place. In doing so, I unconsciously dragged the piece of lightning rod along with me. Behind a screen of foliage I sat down weakly. Presently, my eyes followed along that lightning rod, and I noted that one end was freshly broken where I had bent it until it snapped in two. But the other end had been the tip that pointed skyward above the house. This I now saw was fused and melted in a way that no heat of a burning wood could have possibly accomplished. I need write but little of the duties that followed. Suffice to say, that every paper that might have revealed more than my slight knowledge of Spain's origin or connections had been destroyed. The county records yielded nothing except the deed to his property purchased the year before I met him. There was nothing for me to do but turn matters over to the local authorities and let the law take its course. I returned to New York and slept off the weariness the ordeal had engendered. Then I went to my desk and produced my draft of "The Book of Gud" and turned slowly through it. It was all there, a complete manuscript, but including many things on which our differences of opinion had not been reconciled--and Dan Spain was dead! Gradually the responsibilities of my position dawned upon me. I was joint author of "The Book of Gud." However, my "partner in crime" was dead. We had written much of the prose together although much of it was by Spain alone. The verse was mine. How helpless I felt with this gigantic task staring me in the face! Sensing keenly the sacred trust of fidelity to the intent of a dead author, I did not feel at liberty to make the changes in Spain's draft that I felt should be made. Yet, if my name were to be on the jacket of this book, I did not feel that I could possibly let some of the things in Spain's draft pass without registering my protest. Conversely I must, in all fairness, concede that he had felt the same about some of my lines. My decision on going over the work the first time was that all I could do was to let the manuscript pass on to the world exactly as it was when God's lightning stilled for
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