site the fourth arcade: a window entirely
occupied with the life of saint Julian-the-hospitaller.

Same aisle, between the semi-circular lateral chapel and the chapel of
the Virgin: two windows, representing the life of Joseph, the son of
Jacob. We may still read, although with difficulty, the name of the
painter and glazier. It is inscribed on a phylactery, in the following
manner:

CLEMENS VITREARIUS CARNOTENSIS M ...

On the other side of the choir, between the chapel of the Virgin and the
semi-circular lateral chapel: two windows, one representing the Passion;
the other the life of a saint. He is almost entirely represented naked
from the head to the waist, and on horseback. Semi-circular chapel of
the southern transept in the corner of the window, the martyrdom of
saint Laurent."

All these windows date from the end of the XIIIth century. The most
curious is that representing the life of saint Julian-the-hospitaller.

The Cathedral contains likewise several fine specimens of windows of the
time of the _renaissance_. We must remark, especially, those which
represent the life of saint Romain, in the chapel dedicated to that
bishop and those which decorate the chapel of saint Stephen. We
perceive, in the latter, saint Thomas touching the wound of
Jesus-Christ; Christ preaching in the desert; Christ appearing to
Mary-Magdalen; etc.

The edifice is also lighted by three large roses (circular windows); two
at the extremities of the transept and the other above the organ. Of
these three windows the western is by far the finest. In the centre of
it, the Eternal Father is represented as surrounded by a multitude of
angels having each different musical instruments, around it are ten
figures of angels, each holding an instrument of the Passion.

The present organ of the Cathedral is a large sixteen feet one, and is
placed beneath the western circular window. It was made by Lefevre, the
celebrated organ maker in Rouen, in 1760.

The choir is surrounded by fourteen pillars. Before 1430, its upper part
was only lighted by a small number of narrow windows. Since that time,
it has been lighted by the fifteen large windows, which we now see. In
1467, under the cardinal d'Estouteville, the chapter caused stalls to be
made, which are very curiously sculptured.

A stone screen, of a style which harmonized with the rest of the edifice
formerly ornamented the entrance to the choir: In 1777, it was replaced
by the present. Thi