e the revolution,
the same shield, decorated the three pannels of the base of the
monument. We may still perceive the trace of the destroyers chisel. The
entire height of the mausoleum is seventeen feet. The points of the two
pilasters rise two feet and a half or three feet above the rest; which
would make the total height of the monument of about twenty feet.

The name of Peter de Breze, is honourably mentioned in our annals at the
time of the conquest of Normandy. It was he who received the
capitulation of the castles of Harcourt, Gisors, Chateau-Gaillard. It
was he, who first entered Rouen, when that town opened its gates to
Charles VIIth[6]. The statue of Peter de Breze and that of his wife,
Jeanne du Bec-Crespin, were formerly on the monument; but they do not
now exist and no one knows when they have been taken away.

Next to it, is the monument of Louis de Breze, grand-son of the latter,
who died in july 1531. The celebrated Diana of Poitiers caused this
mausoleum to be raised to his memory. The body of the monument is
supported by four columns of black marble, with capitals and bases of
white alabaster. Between these columns is a coffin, on which the white
marble statue of the grand senechal, is laid. The deceased is stretched
on his back, his features are convulsed: one may see that he has just
expired. The body is quite naked, the left hand is laid on his breast.
The cenotaph is of black marble. The perfection of this sculpture causes
it to be attributed to the celebrated Jean Goujon. Behind this statue,
there was formerly another of the same personage, he was represented in
the dress of a count, with the collar of Saint-Michael, and a crown on
his head. We now only find the marks of the fixtures which fastened it
to the monument. At each end of the recumbent figure, are two statues of
women in alabaster. Diana of Poitiers in the dress of a widow, with her
arms crossed, is kneeling at the head. At the feet, is that of the
virgin holding the infant Jesus: it was according to general opinion, of
the time of Pommeraye, who speaks of paintings, figures, tapers and
chaplets suspended round the latter statue. There were two inscriptions,
one in prose, the other in verse. Both were erased at the revolution,
but they have been replaced since; the following is a copy of the prose
one:

Loys de Bresze, en son vivant cheualier de l'ordre, premier
Chambellan du Roy, grand Seneschal, Lieutenant-general et