s aquis, nullius, vita perempti
Est tanta dimissa via.--Lib. iii. 638.

----Asunder flies the man.
No single wound the gaping rupture seems,
Where trickling crimson flows in tender streams;
But from an opening horrible and wide
A thousand vessels pour the bursting tide;
At once the winding channel's course was broke,
Where wandering life her mazy journey took.--Rowe.

Some authors have said that he betrayed pusillanimity at the hour of
death; and that, to save himself from punishment, he (397) accused his
mother of being involved in the conspiracy. This circumstance, however,
is not mentioned by other writers, who relate, on the contrary, that he
died with philosophical fortitude. He was then only in the twenty-sixth
year of his age.

Lucan had scarcely reached the age of puberty when he wrote a poem on the
contest between Hector and Achilles. He also composed in his youth a
poem on the burning of Rome; but his only surviving work is the
Pharsalia, written on the civil war between Caesar and Pompey. This
poem, consisting of ten books, is unfinished, and its character has been
more depreciated than that of any other production of antiquity. In the
plan of the poem, the author prosecutes the different events in the civil
war, beginning his narrative at the passage of the Rubicon by Caesar. He
invokes not the muses, nor engages any gods in the dispute; but
endeavours to support an epic dignity by vigour of sentiment, and
splendour of description. The horrors of civil war, and the importance
of a contest which was to determine the fate of Rome and the empire of
the world, are displayed with variety of colouring, and great energy of
expression. In the description of scenes, and the recital of heroic
actions, the author discovers a strong and lively imagination; while, in
those parts of the work which are addressed either to the understanding
or the passions, he is bold, figurative, and animated. Indulging too
much in amplification, he is apt to tire with prolixity; but in all his
excursions he is ardent, elevated, impressive, and often brilliant. His
versification has not the smoothness which we admire in the compositions
of Virgil, and his language is often involved in the intricacies of
technical construction: but with all his defects, his beauties are
numerous; and he discovers a greater degree of merit than is commonly
found in the productions of a poet of tw