FREE BOOKS

Author's List




PREV.   NEXT  
|<   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47  
48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   >>   >|  
ity and calm. The genius is there; it is idle to deny it; but it is in a state of violent turmoil. It is when the ruling talent of an age is of the character of Wergeland's-- Thundering and bursting, In torrents, in waves, Carolling and shouting Over tombs, over graves-- that delicate spirits, as in Matthew Arnold's poem, sigh for the silence and the hush, and rise at length in open rebellion against Iacchus and his maenads, who destroy all the quiet of life and who madden innocent blood with their riot. Johan Sebastian Welhaven (1807-73) was a student at the University with Wergeland, and he remained silent while the latter made the welkin ring louder and louder with his lyric shrieks. Welhaven endured the rationalist and republican rhetoric of Wergeland as long as he could, although with growing exasperation, until the rhapsodical author of _Creation_, transgressing all moderation, accused those who held reasonable views in literature and politics of being traitors. Then it became necessary to deal with this raw and local parody of Victor Hugo. When, in the words of _The Cask of Amontillado_, Wergeland "ventured upon insult," Welhaven "vowed he would be avenged." Welhaven formed as complete a contrast to his antagonist as could be imagined. He was of the class of Sully Prudhomme, of Matthew Arnold, of Lowell, to name three of his younger contemporaries. In his nature all was based upon equilibrium; his spirit, though full of graceful and philosophical intuitions, was critical rather than creative. He wrote little, and with difficulty, and in exquisite form. His life was as blamelessly correct as his literary art was harmonious. Wergeland knew nothing of the Danish tradition of his day, which he treated with violent and bitter contempt. Welhaven, who had moved in the circle of the friends of Rahbek, instinctively referred every literary problem to the tribunal of Danish taste. He saw that with the enthusiasm with which the poetry of Wergeland was received in Norway was connected a suspicion of mental discipline, a growing worship of the peasant and a hatred and scorn of Denmark, with all of which he had no sympathy. He thought the time had come for better things; that the national temper ought to be mollified with the improved economic situation of the country; that the students, who were taking a more and more prominent place, ought to be on the side of the angels. It was n
PREV.   NEXT  
|<   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47  
48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   >>   >|  



Top keywords:

Wergeland

 

Welhaven

 

Arnold

 

literary

 

Matthew

 

growing

 

louder

 

violent

 

Danish

 
exquisite

difficulty
 

tradition

 

harmonious

 
blamelessly
 

correct

 

Prudhomme

 
Lowell
 

imagined

 
formed
 

avenged


complete
 

contrast

 

antagonist

 

younger

 

contemporaries

 

critical

 

intuitions

 

creative

 

philosophical

 

graceful


nature

 

equilibrium

 

spirit

 
tribunal
 

things

 

national

 

temper

 
mollified
 

Denmark

 
sympathy

thought
 
improved
 

economic

 

angels

 

prominent

 

taking

 

situation

 

country

 
students
 

hatred