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here were no feet at which to lay that which men may put upon my head." One of the first of these friendships was that formed with Madame de Berny, nee (Laure-Louise-Antoinette) Hinner. She was the daughter of a German musician, a harpist at the court of Louis XVI, and of Louise-Marguerite-Emelie Quelpec de Laborde, a lady in waiting at the court of Marie Antoinette. M. Hinner died in 1784, after which Madame Hinner was married to Francois-Augustin Reinier de Jarjayes, adjutant-general of the army. M. Jarjayes was one of the best known persons belonging to the Royalist party during the Revolution, a champion of the Queen, whom he made many attempts to save. He was one of her most faithful friends, was intrusted with family keepsakes, and was made lieutenant-general under Louis XVIII. Madame Jarjayes was much loved by the Queen; she was also implicated in the plots. Before dying, Marie Antoinette sent her a lock of her hair and a pair of earrings. Laure Hinner was married April 8, 1793, to M. Gabriel de Berny, almost nine years her senior, who was of the oldest nobility. Madame de Berny, her husband, her mother and her stepfather were imprisoned for nine months, and were not released until after the fall of Robespierre. The married life of Madame de Berny was unhappy; she was intelligent and sentimental; he, capricious and morose. She seems to have realized the type of the _femme incomprise_; she too was an _etrangere_, and bore some traits of her German origin. Coming into Balzac's life at about the age of forty, this _femme de quarante ans_ became for him the _amie_ and the companion who was to teach him life. Still beautiful, having been reared in intimate court circles, having been the confidante of plotters and the guardian of secrets, possessed of rare trinkets and souvenirs--what an open book was this _memoire vivante_, and with what passion did the young interrogator absorb the pages! Here he found unknown anecdotes, ignored designs, and here the sources of his great plots, _Les Chouans_, _Madame de la Chanterie_, and _Un Episode sous la Terreur_. All this is what she could teach him, aided perhaps by his mother, who lived until 1837. Here is the secret of Balzac's royalism; here is where he first learned of the great ladies that appear in his work, largely portrayed to him by the _amie_ who watched over his youth and guided his maturity. Having consulted the _Almanach des 25,000 adresses_, Madame Ruxton
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