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travails and "openings" Boehme called _Morning Glow_, to which later, through the suggestion of a friend, he gave {162} the title _Aurora_. It is a strange _melange_ of chaos where all things lie undifferentiated and of insight; dreary wastes of words that elude comprehension, with beautiful patches of spiritual oasis. He himself always felt that the book was dictated to him, and that he only passively held the pen which wrote it. "Art," he says, speaking of his writing, "has not written here, neither was there any time to consider how to set it down punctually, according to the understanding of the letters, but all was ordered according to the direction of the Spirit, which often went in haste, so that in many words letters may be wanting, and in some places a capital letter for a word; so that _the Penman's hand_, by reason that he was not accustomed to it, did often shake. And though I could have wrote in a more accurate, fair, and plain manner, yet the reason was this, that the burning fire often forced forward with speed, and the hand and pen must hasten directly after it; for it goes and comes like a sudden shower."[30] This is obviously an inside account of the production of inspirational script, amounting almost to automatic impulsion. Throughout his voluminous writings he often speaks of "this hand," or "this pen" as though they were owned and moved by a will far deeper than his own individual consciousness,[31] and his writings themselves frequently bear the marks of automatisms. His manuscript copy of _Morning Glow_ was freely lent to readers and circulated widely. Boehme himself kept no copy by him, but he tells us that during its wanderings the manuscript was copied out in full four times by strangers and brought to him.[32] One of the copies fell into the hands of Gregorius Richter, pastor primarius of Goerlitz, a violent guardian of orthodoxy and a man extremely jealous of any infringement of the dignity of his official position. He proceeded at once--"without sufficient examination or knowledge"--to {163} "vilify and condemn" the writing, and in a sermon on "False Prophets" he vigorously attacked the local prophet of Goerlitz, who meekly sat in Church and listened to the "fulminations" against him.[33] After the sermon, Boehme modestly asked the preacher to show him what was wrong with his teaching, but the only answer he received was that if he did not instantly leave the town the pastor woul
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