ter breaking it with his hands."[687] And Xerxes inflicted
stripes and blows on the sea, and sent letters to Mount Athos, "Divine
Athos, whose top reaches heaven, put not in the way of my works stones
large and difficult to deal with, or else I will hew thee down, and
throw thee into the sea." For anger has many formidable aspects, and
many ridiculous ones, so that of all the passions it is the most hated
and despised. It will be well to consider both aspects.
Sec. VI. To begin then, whether my process was wrong or right I know not,
but I began my cure of anger by noticing its effects in others, as the
Lacedaemonians study the nature of drunkenness in the Helots. And in the
first place, as Hippocrates tells us that disease is most dangerous in
which the face of the patient is most unlike himself, so observing that
people beside themselves with anger change their face, colour, walk, and
voice, I formed an impression as it were of that aspect of passion, and
was very disgusted with myself if ever I should appear so frightful and
like one out of his mind to my friends and wife and daughters, not only
wild and unlike oneself in appearance, but also with a voice savage and
harsh, as I had noticed in some[688] of my acquaintance, who could
neither preserve for anger their ordinary behaviour, or demeanour, or
grace of language, or persuasiveness and gentleness in conversation.
Caius Gracchus, indeed, the orator, whose character was harsh and style
of oratory impassioned, had a pitch-pipe made for him, such as musicians
use to heighten or lower their voices by degrees, and this, when he was
making a speech, a slave stood behind him and held, and used to give him
a mild and gentle note on it, whereby he lowered his key, and removed
from his voice the harsh and passionate element, charming and laying the
heat of the orator,
"As shepherds' wax-joined reed sounds musically
With sleep provoking strain."[689]
For myself if I had some elegant and sprightly companion, I should not
be vexed at his showing me a looking-glass in my fits of anger, as they
offer one to some after a bath to little useful end. For to behold
oneself unnaturally distorted in countenance will condemn anger in no
small degree. The poets playfully tell us that Athene when playing on
the pipe was rebuked thus by a Satyr,
"That look no way becomes you, take your armour,
Lay down your pipes, and do compose your cheeks,"
and though she paid no atte
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