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d of clear consciousness. I have already spoken of a selective action brought about by the ruling emotion. In this case, the attention is held captive by the particular feeling of the moment. Also a selective process goes on in the case of the action of those associative dispositions just referred to. But in each of these cases the action of selective attention is comparatively involuntary, passive, and even unconscious, not having anything of the character of a conscious striving to compass some end. Besides this comparatively passive play of selective attention, there is an active play, in which there is a conscious wish to gain an end; in other words, the operation of a definite motive. This motive may be described as an intellectual impulse to connect and harmonize what is present to the mind. The voluntary kind of selection includes and transcends each of the involuntary kinds. It has as its result an imitation of that order which is brought about by what I have called the associative dispositions, only it consciously aims at this result. And it is a process controlled by a feeling, namely, the intellectual sentiment of consistency, which is not a mode of emotional excitement enthralling the will, but a calm motive, guiding the activities of attention. It thus bears somewhat the same relation to the emotional selection already spoken of, as dramatic creation bears to lyrical composition. This process of striving to seize some connecting link, or thread of order, is illustrated whenever, in waking life, we are suddenly brought face to face with an unfamiliar scene. When taken into a factory, we strive to arrange the bewildering chaos of visual impressions under some scheme, by help of which we are said to understand the scene. So, if on entering a room we are plunged in _medias res_ of a lively conversation, we strive to find a clue to the discussion. Whenever the meaning of a scene is not at once clear, and especially whenever there is an appearance of confusion in it, we are conscious of a painful feeling of perplexity, which acts as a strong motive to ever-renewed attention.[97] In touching on this intellectual impulse to connect the disconnected, we are, it is plain, approaching the question of the very foundations of our intellectual structure. That there is this impulse firmly rooted in the mature mind nobody can doubt; and that it manifests itself in early life in the child's recurring "Why?" is equally cl
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