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to pass in imagination from one impression to another, it may be that we tend to confound this duration with that which we try to represent. Similarly, the fact that in the act of reproductive imagination we under-estimate a longer interval between two impressions, say those of the slow beats of a colliery engine, may be accounted for by the supposition that the imagination tends to pass from the one impression to the succeeding one too rapidly.[119] The gross misappreciation of duration of long periods of time, while it may illustrate the principle just touched on, clearly involves the effect of other and more powerful influences. A mere glance at what is in our mind when we recall such a period as a month or a year, shows that there is no clear concrete representation at all. Time, it has been often said, is known only so far as filled with concrete contents or conscious experiences, and a perfect imagination of any particular period of past time would involve a retracing of all the successive experiences which have gone to make up this section of our life. This, I need not say, never happens, both because, on the one hand, memory does not allow of a complete reproduction of any segment of our experience, and because, on the other hand, such an imaginative reproduction, even if possible, would clearly occupy as much time as the experience itself.[120] When I call up an image of the year just closing, what really happens is a rapid movement of imagination over a series of prominent events, among which the succession of seasons probably occupies the foremost place, serving, as I have remarked, as a framework for my retrospective picture. Each of the events which I thus run over is really a long succession of shorter experiences, which, however, I do not separately represent to myself. My imaginative reproduction of such a period is thus essentially a greatly abbreviated and symbolic mode of representation. It by no means corresponds to the visual imagination of a large magnitude, say that of the length of sea horizon visible at any one moment, which is complete in an instant, and quite independent of a successive imagination of its parts or details. It is essentially a very fragmentary and defective numerical idea, in which, moreover, the real quantitative value of the units is altogether lost sight of. Now, it seems to follow from this that there is something illusory in all our recallings of long periods of the
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