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ed by the movement of imagination in going back to it from the present. And this is the same thing as to say that it depends on our retrospective sense of the intervening space. That is to say, the sense of distance in time, as in space, is the recognition of a term to a movement. And just as the distance of an object will seem greater when there are many intervening objects affording points of measurement, than when there are none (as on the uniform surface of the sea), so the distance of an event will vary with the number of recognized intervening points. The appreciation of the distance of an event in time does not, however, wholly depend on the character of this movement of imagination. Just as the apparent distance of a visible object depends _inter alia_ on the distinctness of the retinal impression, so the apparent temporal remoteness of a past event depends in part on the degree of intensity and clearness of the mnemonic image. This is seen even in the case of those images which we are able distinctly to localize in the time-perspective. For a series of exciting experiences intervening between the present and a past event appears not only _directly_ to add to our sense of distance by constituting an apparently long interval, but _indirectly_ to add to it by giving an unusual degree of faintness to the recalled image. An event preceding some unusually stirring series of experiences gets thrust out of consciousness by the very engrossing nature of the new experiences, and so tends to grow more faint and ghost-like than it would otherwise have done. The full force of this circumstance is best seen in the fact that a very recent event, bringing with it a deep mental shock and a rapid stirring of wide tracts of feeling and thought, may get to look old in a marvellously short space of time. An announcement of the loss of a dear friend, when sudden and deeply agitating, will seem remote even after an hour of such intense emotional experience. And the same twofold consideration probably explains the well-known fact that a year seems much shorter to the adult than to the child. The novel and comparatively exciting impressions of childhood tend to fill out time in retrospect, and also to throw back remote events into a dimly discernible region. Now, this same circumstance, the degree of vividness or of faintness of the mnemonic image, is that which determines our idea of distance when the character of the intervening
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