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The Project Gutenberg EBook of Notes to Shakespeare, Volume III: The Tragedies, by Samuel Johnson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Notes to Shakespeare, Volume III: The Tragedies Author: Samuel Johnson Editor: Arthur Sherbo Release Date: April 6, 2005 [EBook #15566] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK NOTES TO SHAKESPEARE *** Produced by David Starner, David King, and the PG Online Distributed Proofreading Team THE AUGUSTAN REPRINT SOCIETY SAMUEL JOHNSON NOTES TO SHAKESPEARE Vol. III Tragedies Edited, with an Introduction, by Arthur Sherbo Los Angeles William Andrews Clark Memorial Library University of California 1958 GENERAL EDITORS Richard C. Boys, _University of Michigan_ Ralph Cohen, _University of California, Los Angeles_ Vinton A. Dearing, _University of California, Los Angeles_ Lawrence Clark Powell, _Clark Memorial Library_ ASSISTANT EDITOR W. Earl Britton, _University of Michigan_ ADVISORY EDITORS Emmett L. Avery, _State College of Washington_ Benjamin Boyce, _Duke University_ Louis Bredvold, _University of Michigan_ John Butt, _King's College, University of Durham_ James L. Clifford, _Columbia University_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Samuel H. Monk, _University of Minnesota_ Ernest C. Mossner, _University of Texas_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ CORRESPONDING SECRETARY Edna C. Davis, _Clark Memorial Library_ Introduction on Tragedies Dr. Johnson's reaction to Shakespeare's tragedies is a curious one, compounded as it is of deep emotional involvement in a few scenes in some plays and a strange dispassionateness toward most of the others. I suspect that his emotional involvement took root when he read Shakespeare as a boy--one remembers the terror he experienced in reading of the Ghost in _Hamlet_, and it was probably also as a boy that he suffered that shock of horrified outrage and grief at the death of Cordelia that prevented him from rereading the scene until be came to edit the play
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