a face and a language, is a moral as well as an artistic
asset, and Goethe was never wiser than when he wrote:
"A god gave me the voice to speak my pain."
It is not too much to say that the French are at this moment drawing
a part of their national strength from their language. The piety
with which they have cherished and cultivated it has made it a
precious instrument in their hands. It can say so beautifully what
they feel that they find strength and renovation in using it; and
the word once uttered is passed on, and carries the same help to
others. Countless instances of such happy expression could be cited
by any one who has lived the last year in France. On the bodies of
young soldiers have been found letters of farewell to their parents
that made one think of some heroic Elizabethan verse; and the
mothers robbed of these sons have sent them an answering cry of
courage.
"Thank you," such a mourner wrote me the other day, "for having
understood the cruelty of our fate, and having pitied us. Thank you
also for having exalted the pride that is mingled with our
unutterable sorrow." Simply that, and no more; but she might have
been speaking for all the mothers of France.
When the eloquent expression of feeling does not issue in action--or
at least in a state of mind equivalent to action--it sinks to the
level of rhetoric; but in France at this moment expression and
conduct supplement and reflect each other. And this brings me to the
other great attribute which goes to making up the tone of France:
the quality of courage. It is not unintentionally that it comes last
on my list. French courage is courage rationalized, courage thought
out, and found necessary to some special end; it is, as much as any
other quality of the French temperament, the result of French
intelligence.
No people so sensitive to beauty, so penetrated with a passionate
interest in life, so endowed with the power to express and
immortalize that interest, can ever really enjoy destruction for its
own sake. The French hate "militarism." It is stupid, inartistic,
unimaginative and enslaving; there could not be four better French
reasons for detesting it. Nor have the French ever enjoyed the
savage forms of sport which stimulate the blood of more apathetic or
more brutal races. Neither prize-fighting nor bull-fighting is of
the soil in France, and Frenchmen do not settle their private
differences impromptu with their fists: they do it, logic
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