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The Project Gutenberg EBook of Fighting France, by Edith Wharton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Fighting France From Dunkerque to Belport Author: Edith Wharton Posting Date: August 8, 2009 [EBook #4550] Release Date: October, 2003 First Posted: February 8, 2002 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK FIGHTING FRANCE *** Produced by Charles Aldarondo. HTML version by Al Haines. FIGHTING FRANCE FROM DUNKERQUE TO BELPORT BY EDITH WHARTON NEW YORK: MCMXV CONTENTS THE LOOK OF PARIS IN ARGONNE IN LORRAINE AND THE VOSGES IN THE NORTH IN ALSACE THE TONE OF FRANCE THE LOOK OF PARIS (AUGUST, 1914--FEBUARY, 1915) I AUGUST On the 30th of July, 1914, motoring north from Poitiers, we had lunched somewhere by the roadside under apple-trees on the edge of a field. Other fields stretched away on our right and left to a border of woodland and a village steeple. All around was noonday quiet, and the sober disciplined landscape which the traveller's memory is apt to evoke as distinctively French. Sometimes, even to accustomed eyes, these ruled-off fields and compact grey villages seem merely flat and tame; at other moments the sensitive imagination sees in every thrifty sod and even furrow the ceaseless vigilant attachment of generations faithful to the soil. The particular bit of landscape before us spoke in all its lines of that attachment. The air seemed full of the long murmur of human effort, the rhythm of oft-repeated tasks, the serenity of the scene smiled away the war rumours which had hung on us since morning. All day the sky had been banked with thunder-clouds, but by the time we reached Chartres, toward four o'clock, they had rolled away under the horizon, and the town was so saturated with sunlight that to pass into the cathedral was like entering the dense obscurity of a church in Spain. At first all detail was imperceptible; we were in a hollow night. Then, as the shadows gradually thinned and gathered themselves up into pier and vault and ribbing, there burst out of them great sheets and showers of colour. Framed by such depths of
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