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where the Langue d'Oc is as terse and salty as it was in the days of Pierre Vidal, whose rhythms of life, intrinsically Mediterranean, are finding new permanence--poetry richly ordered and lucid. To the Catalans of the last fifty years has fallen the heritage of the oar which the cunning sailor Odysseus dedicated to the Sea, the earth-shaker, on his last voyage. And the first of them is Maragall. _XIII: Talk by the Road_ On the top step Telemachus found a man sitting with his head in his hands moaning "_!Ay de mi!_" over and over again. "I beg pardon," he said stiffly, trying to slip by. "Did you see the function this evening, sir?" asked the man looking up at Telemachus with tears streaming from his eyes. He had a yellow face with lean blue chin and jowls shaven close and a little waxed moustache that had lost all its swagger for the moment as he had the ends of it in his mouth. "What function?" "In the theatre.... I am an artist, an actor." He got to his feet and tried to twirl his ragged moustaches back into shape. Then he stuck out his chest, straightened his waistcoat so that the large watchchain clinked, and invited Telemachus to have a cup of coffee with him. They sat at the black oak table in front of the fire. The actor told how there had been only twelve people at his show. How was he to be expected to make his living if only twelve people came to see him? And the night before Carnival, too, when they usually got such a crowd. He'd learned a new song especially for the occasion, too good, too artistic for these pigs of provincials. "Here in Spain the stage is ruined, ruined!" he cried out finally. "How ruined?" asked Telemachus. "The _Zarzuela_ is dead. The days of the great writers of _zarzuela_ have gone never to return. O the music, the lightness, the jollity of the _zarzuelas_ of my father's time! My father was a great singer, a tenor whose voice was an enchantment.... I know the princely life of a great singer of _zarzuela_.... When a small boy I lived it.... And now look at me!" Telemachus thought how strangely out of place was the actor's anaemic wasplike figure in this huge kitchen where everything was dark, strong-smelling, massive. Black beams with here and there a trace of red daub on them held up the ceiling and bristled with square iron spikes from which hung hams and sausages and white strands of garlic. The table at which they sat was an oak slab, black from sm
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