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al air. Ah, what it is to have faith! Landor, Landor, you are incorrigible! Don't you think so, Giallo?" asked the master of his dog. "I never heard Moore sing, much to my regret. I once asked him, but he excused himself with a sigh, saying that he had lost his voice." * * * * * One of Landor's prominent characteristics was generosity, carried to the verge of rashness. Even in his last years, when living on a very limited income, he was only too ready to empty his pockets at the call of any charity, whether public or private. Impulse, however, prompted him to give most heartily when he thought to further the cause of liberty. At the time a subscription was opened in Florence to aid Garibaldi's Sicilian expedition, Landor, anxious to lay an offering at the feet of his heart's hero, pulled out his watch, the only article of value about him, and begged Mr. Browning to present it to the fund. Mr. Browning took it, but knowing how lost the old man would be without his timepiece, kept it for a few days; and then, seizing a favorable moment when Landor was missing his watch greatly, though without murmuring, Mr. Browning persuaded him to retain it. This he did, with reluctance, after being assured of the fund's prosperous condition. It was about the same time, I think, that Landor wrote an Italian Conversation between Savonarola and the Prior of San Marco, which he published in pamphlet form for the benefit of this or a similar cause. Most admirably did Landor write Italian, his wonderful knowledge of Latin undoubtedly giving him the key to the soft, wooing tongue. He, of course, spoke the language with equal correctness; but, as with most Englishmen who go to Italy after having arrived at mature years, his pronunciation was _proprio Inglese_. Landor would never accept payment for his books, presenting the amount due him either to the publisher, or, more generally, to some friend who had been most active in aiding their publication. Few will applaud this idiosyncrasy, the general and sensible opinion being that the laborer is worthy of his hire: but Landor took peculiar pride in writing for fame alone, without thought of the more tangible product of genius; and, unlike most authors, he could well afford to indulge in this heroic taste. Three years ago--and for the first time in his life, he said--Landor accepted payment for a Conversation contributed to the London Athenaeum. The money had n
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