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ows out of one error into a less. Pope wisely maintains that "no man ever rose to any degree of perfection in writing but through obstinacy and an inveterate resolution against the stream of mankind." Unless he mount the chariot of execution, his ideas, however good, will never put a girdle round the earth. They will halt and limp as do his own weary feet. * * * * * Landor's enthusiasm for Shakespeare grew young as he grew old, and it was his desire to bid farewell to earth with his eyes resting upon the Shakespeare that so constantly lay open before him. Nothing excited his indignation more than to hear little people of great pretension carpingly criticise the man of whom he makes Southey, in a discussion with Porson, declare, that "all the faults that ever were committed in poetry would be but as air to earth, if we could weigh them against one single thought or image such as almost every scene exhibits in every drama of this unrivalled genius." In three fine lines Landor has said even more:-- "In poetry there is but one supreme, Though there are many angels round his throne, Mighty, and beauteous, while his face is hid." To Landor's superior acumen, also, we owe two readings of Shakespeare that have made intelligible what was previously "a contradictory inconceivable." Did it ever occur to dealers in familiar quotations that there was a deal of nonsense in the following lines as they are printed? "_Vaulting_ ambition that o'erleaps _itself_ And falls on the _other side_." "Other side of what?" exclaims Landor "It should be _its sell_. _Sell_ is _saddle_ in Spenser and elsewhere, from the Latin and Italian." Yet, in spite of correction, every Macbeth on the stage still maintains in stentorian tones that ambition o'erleaps _itself_, thereby demonstrating how useless it is to look for Shakespearian scholarship in so-called Shakespearian actors, who blindly and indolently accept theatrical tradition. Equally important is Landor's correction of the lines "And the _delighted_ spirit To bathe in fiery floods." "Truly this would be a very odd species of delight. But Shakespeare never wrote such nonsense; he wrote _belighted_ (whence our _blighted_), struck by lightning; a fit preparation for such bathing." The last stanza ever inscribed to Shakespeare by Landor was sent to me with the following preface: "An old man sends the last verses he
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